Kurt R.A. Giambastiani

There are, in my home, many watches. But for five years, I’ve carried only one.

My watches date from the Age of Steam to the Age of Jets, bearing the marks of craftsmen from Victorian, Edwardian, Nouveau, Deco, and Mid-Century eras.

I have watches that were used to keep trains running on time, mark a valued employee’s retirement, chime the quarter hour, and show the time in the dark with radium-lit dials. Some glister with ruby bearings and gears of gold, their plates tooled with filigree, their enameled dials bright, while others are of stamped brass, paper faces, encased in cheap tin.

They are the watches of men both rich and poor, bespoke or mass-produced, but all came to me in somnolent neglect and the silence of disrepair. For each of them, I cracked their cases, disassembled their movements, cleaned and repaired and replaced the parts that were begrimed, bent, or broken, bringing them back to life, allowing their spring-loaded hearts to beat once again.

I used to swap them out, carry a different one every week, its chain hooked onto my denim belt loop, the watch itself tucked into the tiny right-hand pocket designed solely for the purpose.

But no longer.

Waltham, Elgin, Hampden, Ingersoll, and the others, high-end or base-born, all now lie stored in cushioned darkness, their mainsprings having ticked down to quiet rest.

Now, my watch pocket is empty, for my wrist carries my watch.

It’s a scuffed and scarred thing, with a crystal that’s a bit scratched, a bit chipped. It isn’t very old—a score of years at most—and it is decidedly plain, with square hands and numbers on a simple white face. It doesn’t even have a mainspring, the coiled powerhouse of nearly every other watch I own, but runs on a battery.

It’s a run-of-the-mill Timex Indiglo wristwatch. And it is my father’s watch.

When my father died, five years ago, and I was cleaning out his last abode, his watch was included in his effects. It is the watch he wore every day, whether he was out fishing for steelhead, sneaking a smoke out back, or painting a landscape, and it is—as was he—basic, uncomplicated, quiet, easy to read, dependable, sturdy, and consistent.

For five years, it’s been on my wrist doing yeoman’s work, ticking away, showing me the wee hours with its cyan glow, keeping perfect time. I’ve never changed the battery, not once in those five years. It is, as I said, dependable, sturdy, and consistent.

Someday, it too will run down, its battery spent, and that day, I suppose, when the new battery clicks into place, that will be when the watch will stop being his, and will then be mine.

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