My second week of NaNoWriMo went better than my first, and there’s a reason for that (apart from my getting back into the flow of writing, that is).
Like many writers, I’ve often used a soundtrack to set an audio foundation for my writing time. A soundtrack can do two things. First, it can set a consistent mood that underpins the prose as I write, and second, it can help block out the sounds of the real world and allow me to concentrate more fully on the world I’m trying to get out of my head. (On the downside, it can also ruin a particular album/artist, as eventually, due to repetition and earworms, I grow sick of what I’m listening to.) (more…)
If I were to have followed the standard advice of “write what you know” (meaning only write from personal experience), then none of my books would ever have come into being. I would never have written about anything historical (how could I, if I was born in 19-hrmahrm?), or about anything set in Brittany, or certainly I could never ever have written anything to do with dinosaurs (who could?).
Unraveling Time
Desert Wind
Ploughman's Son
Ploughman King
The Year the Cloud Fell
The Spirit of Thunder
Shadow of the Storm
The Cry of the Wind
Beneath a Wounded Sky
Cryptogenesis: A Memoir