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Archive for the ‘Writing’ Category

Okay. Now I’m pissed off.

All weekend, the news was filled with tweets and squawks about the verdict in the George Zimmerman trial, about how “the system had failed,” and how the jurors, now released from their sequestration, were receiving threats and messages of a most vicious nature. The public seemed to want to blame the jurors, and not the laws or the prosecution.

Being on a jury is a completely thankless job. We put jurors down for not being clever enough to get out of their civic responsibility, and then we pillory them for complying with their oath of office. Thus, yesterday, I posted my support of the jury. They had a difficult job, did it conscientiously, and were being punished for it.

But by the end of the day, the Twitterverse blew up again. This time they were outraged by the news that Juror B37 had signed with a literary agent and intended to write a book about her experience. No book deal had been made. She and her agent were just talking about the possibility of writing a book. That didn’t matter to the Twitterati, though, and they went ballistic, got nasty, and started a petition, and stopped the “outrage” in its tracks.

But the Twitterverse got it wrong.

The outrage is not that this woman, Juror B37, was thinking about writing a book of her experience in the trial. Juror B37 is by all reports a quiet, middle-class, middle-aged worker. She has committed no crime. She has performed a civic duty that most of the Twitterati try to shirk. She and five other jurors were sequestered, hidden from their families and the public during the course of a highly publicized trial. She and her co-jurors sat and listened and weighed the evidence, and then rendered a considered verdict which was–by all legal analysis of the trial that I’ve read–the only verdict they could have returned.

No. That’s not the outrage.

The outrage is that the Twitterati, led by people like the anonymous @MoreAndAgain (aka Cocky McSwagsalot) have applied their prejudice to Juror B37. They have disparaged her, libeled her, imputed the failure of the prosecution’s case to her, accused her of dereliction of her duty as a juror, and have successfully bullied her into dropping all plans to write a book on the subject of her experience.

Yes. Bullied.

The Twitterverse has ganged up on Juror B37, eliminated for her a chance to relay her experience to an obviously ignorant public, closed an avenue whereby we might have further discussion of the ridiculous laws that went into this case, and also eliminated for her a way to build some extra income for her retirement.

And these bullies did all this without any facts, without any empathy, and without any shame.

That is outrageous.

I’m disgusted by it.

k

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Stack of BooksFor the past few weeks, I’ve been doing research for The Wolf Tree. It’s been an education, in several ways.

Seattle isn’t like New York or San Francisco or London. I don’t have dozens of books to choose from, rows of scholarly tomes filled with history, details, and anecdotes. (more…)

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Stack of BooksYeah, sure.

“I write because…because I must,” he said as he fell back in a swoon, hand to forehead.

Blah, blah, blah. Flip it to the B-Side, Sonny.

[Jeez…how many of you don’t know what I mean by “B-side,” I wonder?]

Let’s drop the dramatics and be real for a moment.

The truth is, if I never wrote another word, if I never ventured another sentence of prose, I would not die. Yes, that’s right. If I never wrote again, I wouldn’t spend my life in abject misery. I wouldn’t feel the lack of a pen in my hand like the ache from some phantom limb. I wouldn’t bemoan the globe’s loss of my mellifluous prose (nor, most likely, would the globe).

No, I do not write because “I must.” Nor do I write for fame (duh!) or fortune (ditto!). Nor do I write for the approbation of my peers (hell, they’re so busy they can’t even find time to read my books, much less swamp me with approbation.)

Obviously, there are reasons I write. You don’t write nine novels without sufficient reason. But do you want to know why? Seriously, do you want to know?

C’mere. I’ll tell you. (more…)

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Stack of BooksI had my first Book Meeting on The Wolf Tree.

This is the meeting where First Reader and I sit down, I give her the pitch, and she tells me, No, the plot doesn’t sound stupid.

Seriously. That’s what this meeting is for. Well, mostly. She also picks apart the plot, the characters, the backstories, she asks how it’ll be told, etc., but mostly, she needs to tell me the plot doesn’t sound stupid.

Why do I think my plot sounds stupid? I don’t know. Looking back on my completed novels, those plots don’t sound stupid. But always, at the outset of every project, I’m convinced that my plotline is hopelessly flawed and will make the worst book ever. To be fair, when you boil any plot down to that one-minute “elevator pitch,” it loses a lot. All elevator pitches sound more or less stupid, insipid, unbelievable (in a bad way), or cliché. So, to get me over this first hurdle, we have our first Book Meeting.

But before I can walk into this meeting, the book must have gelled. I’m not talking about working out the basic plot–in fact, plot is the least important aspect. Plots take care of themselves, to a certain degree, as do sub-plots. Sure, I need to know where the bit set pieces are going to be, what the main action is, and so forth, but if I have them sketched out, that’s good enough. I need to know where I’m going, but I don’t necessarily want to know exactly how I’m going to get there. I used to obsess about every detail in outlines before, and found that it always changed in the production phase, so now I don’t worry about the details of the action. Broad brushstrokes work fine for plot.

More important than plot is the structure. Not what will happen in the story, but how it will be told. Will it be linear? Recursive? Flashbacks? Multi-threaded? How many characters? How many POVs? Structure affects the reading of the story because it controls how information is presented. An action-heavy plotline will benefit from some cliffhanger chapter breaks, whereas a more character-driven plot will have a forced, unnatural feel if I shoehorn cliffhangers into it.

I also need to have an idea of what style I’m going to use. First person or third person? Omniscient or limited? Lyrical or straightforward? Dialogue-heavy or dialogue-sparse? These aren’t cast in concrete (well, none of this stuff is, really) but they’re decisions that should be made before pen touches paper. Stylistic decisions need to support the plot, structure, and the thematic elements.

And those are the crucial items: the thematic elements. What are the big questions facing my characters? What is the book about? I don’t believe a novel needs a “message,” per se–“If I’d wanted a message, I’d have called Western Union!”–but I always want my books to have a single encompassing idea, a topic they will discuss. Usually, it’s a single word that (for me) infuses the story. Betrayal. Family. Love. Forgiveness. I’ve used these in the past.

Before I walk into my first Book Meeting I need to have all this ready because I’m going to pitch the book to First Reader, and she’s going to pick it apart with all her might.

Turns out, the plot for The Wolf Tree is not stupid.

Oh, and we fixed the ending (parts of which were unbelievable, cliché, and stupid).

So…onward.

k

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Mahonia after rainToday begins the second year of this blog. It’s been an education.

Here’s the obligatory breakdown of my first year:

  • This will be the 299th post
  • The blog has garnered almost 7000 hits
  • The blog has been viewed by 137 countries

What fascinates me the most is the variety of search criteria that has sent folks this way.

Factoring out the “miscellaneous” search phrases (like “walking stick heavy end up or down”…hunh?), some things become clear.

  • People are very curious about the relative properties of dishware
    (“porcelain vs. stoneware” — 30% of search hits)
  • People are as interested in my writing as they are in some of the recipes I put up
    (both at 14% of total search hits)
  • People are nearly as interested in what a “peeper’s dry plate” is, as they are in my writing
    (“peeper’s dry plate” — 9% of search hits)
  • Movies, Seattle, and general writing topics each took in 5-7% of the total

It’s all just nerdy gee-whiz sort of figures, but it shows that I’m meeting my two major goals:

  1. I’m writing something on a regular basis
  2. I’m providing a way for my readers and potential readers to learn about my writing

So, my thanks to all of you, both subscribers and passers-by, for your interest, your comments, and your encouragement.

k

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Kurt R.A. GiambastianiReality is a test. Are you going to face it? Or are you going to reject it?

I’ve tried the latter. I don’t recommend it.

Example: for decades I believed I was a dog person. Then I lived with a dog. I’m not a dog person. I’m a “let me play with your dog” person. Don’t get me wrong; I love dogs. I just don’t want to live with them. At least, not at this point in my life. It wouldn’t be fair to the dog.

So, I’ve learned the lesson that facing reality is always the better choice.

Therefore, I took a long look at the hard numbers from my Amazing Free Book Giveaway Weekend (AFBGW). [For those of you just joining, the AFBGW was a three-day event wherein I was giving away Unraveling Time, my time-travel romance/adventure novel, for free in the Kindle Store.]

The results are pretty grim. (more…)

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Kurt R.A. GiambastianiWe just passed the six-week mark since the Amazing Free Book Giveaway Weekend, and it’s time to start evaluating the entire process for success or failure. I’ll crunch the numbers later, but right now I want to discuss one of the “softer” aspects of the AFBGW.

As part of the AFBGW, I went out to LinkedIn and joined a few writers’ groups.

I joined these groups because it’s a quick way to reach a lot of people at one time. Writers are (presumably) readers as well, and some of these groups have membership up in the five-digits. With one post, I could (presumably) reach thousands and those posts could (presumably) drive traffic to my blog, my AFBGW promotion, and my books. In addition, the groups can (presumably) provide a venue in which to discuss Things Writerly, and I looked forward to entering discussions on style, debates on the value of writing disciplines, and reading posts on marketing strategies.

What I found was very different. (more…)

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