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Posts Tagged ‘creative writing’

do not put vowels
in the dishwasher
as they are made
of air and intention
and will likely melt

consonants are built
of sturdier stuff
and may go in
the upper rack

punctuation is best stored
in the garage with
nuts and bolts and
other fasteners

words once crafted may be
machine-washed and tumble-dried on low
but avoid fabric softener
unless the water is
especially hard

take time assembling
phrases and sentences
aligning them to the meridian
in a clean well-lighted place
free from excessive drafts

paragraphs benefit most
from a finish on the line
in springtime when the
breath of the waking world
begins to blow

non-fiction requires precision
and regular maintenance
so for peak performance
tune to 4° before
top dead center

patience is recommended
when assembling fiction
to ensure tight seams
and a proper fit

stir poetry
over low heat
until reduced
by half

 

k

 

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he took the time
looked up at day’s end
at sun-fired clouds
watching
slow subtle shifting
rose red orange
spark flame ember
glowing rusting cooling

he took the time
enjoyed the splash
of shadowed flights
on the sunset canvas
hard-edged jetliner dark-winged crow arrow-fast songbird
from farthest to nearer to near
all the layered worlds
sunlight to twilight
that lay between
his eye and the heavens

he took the time
not for the beauty
filling the space
between his heartbeats
but to give time its due
not to be spent filled wasted
but lived in
a constant transition
a string of nows
reaching
from dark to dark
without end

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This weekend is my Beatle Birthday.

I had my “LP” Birthday in 1992, my “Single” Birthday in 2003—and if you’re old enough to get those references, I see you—but they went by relatively (or completely) unnoticed, unmarked, unremembered. (My “78” Birthday, in 2036, might be the same, and I hope I’m lucky enough to reach it.)

Since 1967, though, I’ve thought fondly of this coming milestone, despite the fact that I was convinced I’d never reach such an “advanced” age. The song pretty much nailed what I looked forward to in my elder years (sans grandkids, of course; never wanted kids, much less grandkids), with its images of puttering in the gardens, fixing things about the house, taking a month at the seaside in summertime.

I mentioned last time that my retirement is finally visible on the horizon, and this birthday, routinely imagined for the past 55 years, is a time to stop, look around, and evaluate.

Some of my friends have already retired. Some have put their all into new ventures. Some hopped on a plane on Day One and began (or continued) to travel the world. Some, sadly, took ill, beginning entirely unplanned journeys. I admit, I compared the image in my head with how they began their Third Act, and felt the old report card put-down of “Not performing up to his potential.”

It’s not as though I plan never to travel. It’s not as though I plan not to try new things, learn new things. It’s not as though I plan to spend my entire retirement digging the weeds and fixing fuses. It’s just that, in my heart, after decades of pushing, learning, wrangling, fretting, struggling, planning, pacing, saving, working, I merely want to slow down and enjoy the ticking of the clock, the crackle of the fire, perhaps the crash of waves on the shore, and the settling of ice in a dram of whisky.

And, of course, I hope that she will still need me, that she will still feed me, when I’m sixty-four.

k

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we are
eight billion quilts
fashioned of threadbare cloth
stitched by blind hands
in a darkened room
uniquely alike
consistently different

or

are we
eight billion pieces
of patchwork pain
and remnant joy
a masterwork revealed
only when we see
not the threads of our lives
but the pattern of our existence

 

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she’s a night owl
and I rise before dawn
which gives us both
a few hours alone
to miss each other

 

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My sword is bright
it lights the path ahead
through treacherous times
shining

My sword is sharp
it cuts to the heart
the dissemblers’ lies
seeking

My sword is strong
it survives unfazed
the illogic tide
standing

My sword is my vote
it points the way forward
for right and for rights
singing

——

k

 

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“Has John read your books?”

“I don’t know.”

“What do you mean? You guys talk about books all the time.”

“Well, sure. But not about my books.”

The above snippet of dialogue is verbatim from this past weekend, and it is Exhibit A in the case of Why I Absolutely Suck at Marketing.

In general, I do not know which of my friends have read any of my books. Yes, there are some exceptions to this—beta readers for a certainty, those who’ve expressed an opinion about a title—but if pressed, I know of only eight people who have definitely read one (or more) of my titles. And two of them are dead, so I’m really down to only six. That small list gets longer if I include people who I know have bought my books; but have they read them? One acquaintance told me flat out that she bought my books but did not read any of them, so I don’t take equate purchases with readers. 

Why am I so in the dark on this topic? Because it is how I was raised. And it’s also my nature.

A big lesson of my youth was, “Don’t show off.” My father was insistent about this. “You have talents,” he would tell me, “but don’t get cocky, don’t show off, because there’s always going to be someone out there who’s richer or smarter or more talented than you are.” The subtext, coming from the grandson of a charcoal burner (yeah, it’s a real occupation), was essentially “Pride goeth before a fall.” Humility, my dad felt, consistently won over more people than braggadocio. 

This fit well with my introverted mien. I have absolutely zero desire to “show off” and put myself in the spotlight (this blog notwithstanding), so self-deprecation and “hiding my lamp under a bushel” aren’t second nature; they’re first nature.

As a result, there are people who know me who don’t know that I’ve written nine novels (and counting). I don’t introduce myself, saying, “Hi, I’m Kurt. I’ve written nine novels. Heard of me? Want to read one?” In this age of self-publishing, being an accomplished novelist isn’t as big a deal as it used to be. Folks who learn of my bibliography might smile and nod, but the look in their eye betrays their unspoken reservations about the probable quality of my work.

None of this is to say I’m not proud of my books—I am—but there are just too many variables to the “Hi, I’m a writer” gambit. Nearly 20% of Americans didn’t read any books in the past year (print, e-book, or audiobook), and about half of the population has read fewer than six titles (and which ones do you think they’re going to buy? Mine?). Then there’s genre-preference, with “historical”-anything being at the low end of the popularity scale (and my stuff all being “historical”-something or other). Taken as a whole, there is absolutely no reason for me to expect that anyone I know is going to enjoy my books; the odds are simply against it.

Marketing is essentially nothing but “Look at me!” show-offery, and that is totally antithetical both to my attitude and to my nature. So, I suck at it.

However, this whole cover redux journey I recently began is nothing but marketing. Sort of. So, I’m a little conflicted. And a little anxious about the whole idea.

Still gonna do it, though.

k

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