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Posts Tagged ‘creative writing’

Bloedel Reserve, Bainbridge Island, WA

I walk to work
The same hour each day
And make a time-lapse film
Frame by frame
To capture the passing year.

Buildings fall into vacant lots,
Rise from the rubble.
Storms flash overhead.
Cars blur past
Dreary commuters
Taking dreary steps
Toward dreary jobs.

But along the sidewalk,
Sweetgums grow
Tall, stately, serene,
Life in the grey and black canyons.

In winter, they sleep.
I walk wet pavement
Beneath dark, dripping skeletons.

With springtime sun,
Acid green buds
Burst open in an eyeblink
To shake new leaves
In the morning air.

My summer path leads
Beneath crinoline branches,
Silken leaves rustling,
Lazing in the light.

Autumn comes and the sun,
Tired out by long days,
Grows tardy.
The sweetgums sport fall fashions and,
For a few brief frames,
The sunrise and I,
Bleary-eyed,
Collars turned against the season’s chill,
Walk the streets together.

The sky is a purple shell.
The air is still.
The trees are dark,
Their branches garbed in orange and rust.
They do not rustle.
They do not shake.

They sizzle.

Deep within them, hidden by dying leaves,
A thousand starlings wake.
They greet the sunrise with
Gricks and whistles,
Creaks and pips.
I stand smiling
Beneath a thousand chittering mouths,
Listening to
The sound of butter in a hot skillet.

Sizzle. Pop. Hiss. Flutter. Zing.

A few more days,
A few more frames,
And the sun lags behind me.
The sweetgums now are silent,
Branches laden with sleeping birds.
Later still,
Once the trees drop their leafy frocks,
The starlings leave the city to winter’s cold,
And once more I walk alone
Beneath dark and bony boughs.

k

Typewriter

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I walk the wavering limit of sand and sea, the Pacific’s grey serrated edge. The wind, flavored with salt and sun-dried kelp, pushes me, smudging my glasses with briny thumbs. A foam-white gull hunkers down against the wind. It glares at me with a yellow eye, wary but unwilling to move as long as I keep my distance. Plovers weave up and down the sand, dancing with their watery partner, piping and whistling. At my approach, they burst upward in a seething cloud of wings that veers drunkenly along the shore before settling down at a safer distance.

The waves hesitate, gathering their courage, then rush up the sloping shore. The first one covers my feet, the second my ankles, the third, calves. The water shocks with skin-tightening cold, but once the waves caress the sun-kissed sand, they recede with warmth and slip gently out to sea.

It is low tide, the time when the ocean rummages through dark cupboards, searching for trinkets and loose change to toss up on land when the next advance begins. Past offerings make ripples beneath the retreating waves or lie bright in the water-dark sand. Razor clams, splayed wide like nacre butterflies, are brittle and sharp splashes of dark purple or brilliant white. The pale skeletons of sand dollars lie strewn about, all broken, metaphors waiting to be used.

I walk through the dirty, heavy-handed rip current and the calmer, cleaner slack. I feel the tug of the water, sense the shifting sand beneath my feet. I taste both sea and earth on the ceaseless wind.

This is the edge, the limit of the world, the place where both land and ocean end.

Or begin.

k

Typewriter

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fur of satin midnight
she is ever
aloof
wary
silent
an island of comportment
her tail-wrapped feet situated primly
at the boundary of our
all-too-human bustle
amber cabochons
blink in the sunshine
observing
studying
from the doorway
from the top step
intrigued but uninvolved
present but apart
until today
when she climbs up
nestles between us
curls in close
a nebulous shadow of rumbling warmth
dozing beneath my hand

 k

Mouse Road

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Dragons AheadI am a terrible businessman.

Last week, I submitted my outline for the proposed Fairbanks biographical novel. Along with the actual outline/synopsis, I sent a letter explaining some of the decisions that went into its creation. The family only has experience with writing non-fiction works about the life of their patriarch, sculptor Avard Fairbanks, so I felt it prudent to provide them with some insight into the differences between that and a work of biographical fiction. I also provided them with a quote of costs and timelines that was more realistic than the ball-park estimate I provided them early on. Along with this, I strongly encouraged them to do some research into ghost-writers, to confirm that my quote was not out of line.

The response was good, but measured. They were very pleased with the outline, but the details of costs and timelines introduced a strong dose of reality to the discussion.

This is as I believe it should be but, as I said, I am a terrible businessman. (more…)

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Dragons AheadI am an outliner, and right now, I’m damned glad of it.

Prior to beginning a project, I create a fairly extensive outline. Some writers prefer a more organic method; they set up a character in a conflict and write to see where it takes them.

If I were a writer like that, this project would be a nightmare. I wouldn’t know where to start. As it is, though, I knew precisely where to start: with an outline.

(more…)

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Dragons AheadI have discovered a corollary to Parkinson’s Law. If you don’t know, Parkinson’s law is:

Work expands to fill the time available for its completion.

My discovery, which I shall call the Researcher’s Corollary to Parkinson’s Law, is:

Research material expands to exceed the time available.

In my experience, the factor by which this material expands (aka the KRAG Coefficient) ranges anywhere from 50–100%, but in theory, it’s an open-ended scale.

(more…)

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Rain, by Avard FairbanksAs regular readers have deduced, my current WIP, The Wolf Tree, has been languishing, left untended due to a variety of life events. I should probably call it a “work-in-stasis” rather than a work-in-progress. Now it’s official: The Wolf Tree is on the back burner.

The reason: I received an email asking if I’d like to write a book.

As a self-identified author, I’ve received pitches like this before: a guy has a “great idea” for a book, and all I have to do is outline it, write it, edit it, market it, sell it, and then (of course) give him a cut of the profits as payment for the use of his great idea. Win-Win, right?

Wrong. (more…)

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