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Shifting Gears

Stack of BooksClutch!Clutch!Clutch!

Nearly all my adult life, I’ve driven stick. I know how to shift gears.

My wife brought the first manual transmission into my life–a Mercury Capri, which we called “the Crappy.” It was It was a pop-eyed old beater with one headlight bigger than the other so it always looked like it was giving you the stink-eye. It had a fender fashioned of aluminum held on with sheet metal screws, the hood was held down with wing nuts, and the silver paint job had been destroyed by repeated malathion dousings during the med-fly outbreak. Her engine was a powerhouse, though, and despite the fact that it drank a quart of oil a week it leapt off the line like a panther. The engine also had the unfortunate tendency to shear off its mounting bolts and have a lie-down on the rack-and-pinion. We kept her smoking hulk running for an age, finally selling her for junk when we moved up to Seattle.

We also had a Triumph Spitfire (named Cricket), and I adored that car. I worked diligently to keep her in running trim, but eventually her ’70s era British workmanship got the better of me and we sold her to a younger, more able man. After Cricket, there was Jezebel, the Ford Pinto whose body was made of New York Lace held together by a dozen daily prayers. She lived up to her name and we traded her in for a Chevy Nova saloon car that we named “Nova,” which should tell you how emotionally invested we were in owning her. The fact that she also drove like Grandpa’s cabin cruiser didn’t make her any more attractive.

Soon, though, Nova began to falter, and she was replaced by Eva, a 1993 Geo Storm. After driving in Nova’s Automatic Transmission Desert, I was back in a stick-shift car, and loved it. We’ve had that car for 20 years, and she’s still great (though a new paint job wouldn’t hurt.)

So, like I said, I know how to shift gears. In cars, anyway.

Shifting gears in writing…I sometimes have trouble. Continue Reading »

Video games rarely surprise me. Disappoint me? Often. Surprise me? Rarely.

Journey, a PS3 game from Sony and thatgamecompany, surprised me.

First off, it’s rated E (Everyone) which usually means one of two things: good old-fashioned family fun or cartoon characters and jaunty tunes. This is neither.

The plot of Journey is simple: you are a wanderer in a wasteland, and your goal is to reach the top of a mystical mountain, seen in the distance.

That’s it. See that mountain? Go there.

Simplistic? Yes, but therein lies the beauty of this game. Continue Reading »

Poaching Time Trials

Poached Egg Time TrialsYes, I can get a bit…obsessed…at times.

My good friends over at Cheap Seat Eats blog turned me on to a video in which Wylie Dufresne shows a new way to poach an egg. If you’ve been reading here for a while, you know I’ve been working to perfect the various methods of cooking the venerable Hen’s Egg. I just about have the hard-cooked egg down pat (thanks to my friend and author Barb Hendee), but the perfect poached egg has eluded me.

I’ve tried many methods. I’ve tried classic out-of-the-shell methods like the dead-drop (sticks to bottom of pot), the swirl/vortex (still all thready), and the Martha Stewart cook-in-spoon-followed-by-scissoring-off-the-threads-to-make-it-look-nice-nice method (too obsessive, even for me). I’ve tried several in-the-shell methods, too, from the classic 5-minute egg (impossible to peel), to David Chang’s one-hour slow-cook method (too unreliable and never cooked well enough).

Nothing has pleased me. Here’s what I want in a poached egg:

  • Firm, cooked white
  • Creamy, orange yolk, almost like a sauce when it spills
  • Enough of a “sag” in the cooked egg so that it looks poached, not hard-cooked

Dufresne’s method, based on modernist techniques and analysis, gives us a perfect, in-shell, poached/soft-cooked egg. I tried it once. Damned near perfect. I tried it again. Damned near perfect again. My only complaint was that the egg stood a bit too tall, and was a bit “too” cooked at the prescribed cooking time.

So, I set about performing a time trial. Four eggs. Four cook times, ranging from Dufresne’s prescribed 5:45 min, and downward.

Continue Reading »

Tricksy Compliments

Kurt R.A. GiambastianiI’ve run across a couple of phrases this past week that initially read opposite from their intent.

In an anniversary card, my dad said, “It’s not as easy as you make it seem.” On first reading, I took it to mean that we were making it harder than it should be. A second reading cleared it up, but it was weird that my brain turned it backward.

Yesterday, in a chat conversation, someone said, “If there were more convos like this, I’d be more unreluctant to be online.” Twisted syntax, to be sure, so I don’t blame myself for blinking twice before I was able to winkle the meaning out of this one

But these two instances triggered a memory. I remembered a phrase from a book read years ago.

“I don’t know half of you half as well as I should like, and I like less than half of you half as well as you deserve.”

Good old BIlbo Baggins. What a card.

I read The Hobbit and the LotR trilogy when I was in junior/senior high. I do not know every line of the books and I cannot do a scene-to-chapter comparison between Jackson’s movies and the books as a party trick. Still, a few key phrases from the books have stuck with me over the decades, and this was one.

Bilbo says this line during his speech at his eleventy-first birthday. It’s a wonderfully convoluted sentence–intentionally contorted–and I always took it as Bilbo’s tricksy way to slam his less savory relations while not insulting his friends; sort of a backhanded compliment, as it were. But was I correct? The two instances from this week made me wonder.

So, for the first time ever, I parsed it out.

Taking the two clauses separately, and reducing the “half of you” and “less than half of you” obfuscators, I got two relatively clear sentences

  • I don’t know you half as well as I should like.
  • I like you half as well as you deserve.

I was stunned. All this time I thought Bilbo was putting down his rough-side-of-Hobbiton relations, when in fact he was complimenting them. Yes, there is deprecation built into the sentence but it’s self-deprecation, saying that he hadn’t done enough. Tricksy it may have been, yes, but not snide.

I’m not a LotR fanatic, so I’m not very interested in why Tolkien put this bushel of tangled sentence structure into Bilbo’s mouth at that particular time and then pointed out to the reader just how confusing the statement was to his audience. I’m more interested in why I never before parsed it out myself.

As a high-achieving, low-social-skills youth embedded in AP classes and hours of practicing, rehearsals, and concerts, I know I was pretty damned arrogant. Back then, the thought that I could have misinterpreted a sentence, no matter how tangled, just didn’t compute. I read the line, I interpreted its meaning, I moved onward. But obviously there was the seed of doubt buried deep in my consciousness, or it wouldn’t have sprouted to life this week.

Since my youth, I’ve read a lot of classics, and have been slowly ambling through the syntactical forest of Proust’s magnum opus. I’ve read a lot of convoluted syntax and have no qualms about going back and re-reading a sentence if it didn’t click first time through.

I’m glad to know, at last, what Bilbo really meant. I’m also glad I’ve learned enough not to be so damned arrogant as to consider myself infallible. (Yes, that’s right. If you think I’m arrogant now, you should have met me when I was in my prime. Hoooooo-boy!)

Happy Friday.

Onward,

k

Grand Openings

Stephen King has spoken. Again.

This time, he speaks in an interview in The Atlantic (that reads more like an essay) about a topic not covered in his On Writing memoir: Opening lines.

I hope aspiring writers read all of what he said, instead of picking their favorite sound bite.

It’s not that the first line of a book isn’t important–it is–and King discusses what a good opening line can bring to the party. On the other hand, he admits he’s not always done well with them, and stresses (waaay at the end) that an opening line won’t make or break a novel. If the story sucks, a good opener won’t save it.

The discussion prompted me to go back and look at the opening lines from my novels. How well did I do? I wondered. Let’s see.

Continue Reading »

New Contact Form

Just an FYI for regular readers…

I’ve added a “Contact” page and form to the blog; you should be able to see it up there on the menu (far right). Feel free to use it to submit questions, feedback, general comments, requests for topics and/or recipes, and other such.

Thanks,

k

Fasten Your Seatbelts

Stack of BooksThis week I came across two articles for writers that I thought I’d pass along.

The first article comes from my friends over at The Noble Dead website. Barb and J.C. Hendee are bestselling authors with nearly a score of books to their collective credit. J.C. is also their webmaster, and trust me, he knows his stuff. Continue Reading »