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Misty MorningLate winter is my “difficult” season. Maybe it’s Seasonal Affective Disorder. Maybe it’s the combination of allergies and holiday letdown. This year, it’s also the ongoing can’t-look-away train wreck that is our electoral process. Either way, I’ve been depressed and unmotivated for the past couple of months.

Plus, as it’s March, I now have to deal with all sorts of passive-aggressive reminders—in ads, on billboards, and from the end-of-broadcast human-interest fluff pieces on the news—that, here in Seattle, I should be out there jogging, kayaking, hiking, biking, and tossing balls for the dog. It’s my civic duty, the expectation of a nation, that here in this region of stunning natural beauty I will be out, in it, enjoying every second of it that I possibly can.

Feh. Continue Reading »

Fire It Up

DinnerI thought this was only a problem with men of my generation and older, but (surprisingly) I’ve heard complaints from enough young folks that I’m now convinced a fair fraction of hipster males also exhibit this…deficit.

Gentlemen, you MUST learn how to cook.

Why? Consider the following.

Continue Reading »

Dragons AheadTo my young friends:

You’ve posted a lot of memes about how my generation (Boomers) really screwed up things for you, like education, the economy, the environment, and the world in general.

And you’re right. Continue Reading »

Le crayon rougeIt amazes me how, every time I read something I’ve written, I want to change it. When I finish it I think it’s great, then I put it down for a while, and when I pick it up again, I’m like…bleah…and I’ve got to make changes.

This has never been more true than with “The Book of Solomon,” my most recent short story, which I’ve recently ceased trying to sell to the “literary” markets.

Now, in my defense, this story is a major departure from my previous fiction, on many levels. It’s a genre I’ve not tried before (historical fiction), and it’s a style very unlike most of my other work. influenced heavily by authors like Gabriel Garcia Márquez and Alice Hoffman, I purposefully avoided dialogue, working toward a more internal narrative and fluid style. Also, I did not shy away from complex syntax; I wanted to let the narrative flow in the way my character might think rather than how a storyteller might speak. Lastly, there’s a flipping ton of chronological intrication, jumping around from present to past to deep past to near future to imagined future.

The result was a minefield. Every page carried dangers. Continue Reading »

Le crayon rougeDear me. How perspectives change.

A quick follow-up on my decision to pull from the market a story I’ve been shopping around.

When I started going over it, for no other reason than to reformat it for the web, I found that this story, one that I had edited and re-edited, sent to researchers for fact-checking, and passed to my Beta Readers for feedback, this story that, a year ago, I felt was suitable for publication, really needs another round of edits.

And it’s not just that I don’t like this phrase or I’d say that a little differently. There are errors of continuity, spotty problems with past perfect and past conditional verb tenses, and even (shudder!) a typo (only one, but still…yeesh!)

So, grasshopper, remember today’s lesson well:

It’s never as good as you think it is.

k

Pup Dog Speaks

 

 

Le crayon rougeSixteen months ago, in September, 2014, I began shopping my latest story. It had been a long time since my last go-round marketing a short story, and while a lot had changed, a lot had stayed exactly the same. Continue Reading »

To Market, to Market

Write, You Fools!I’m not telling you anything new when I say that the publishing industry has changed a great deal in the last twenty years. However, throughout these decades of upheaval, there are two things I’ve observed that have remained pretty damned consistent:

  1. Writers worrying about how much effort they should put into marketing their books.
  2. Writers’ efforts at marketing their books doesn’t work.

Continue Reading »