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Until Today

fur of satin midnight
she is ever
aloof
wary
silent
an island of comportment
her tail-wrapped feet situated primly
at the boundary of our
all-too-human bustle
amber cabochons
blink in the sunshine
observing
studying
from the doorway
from the top step
intrigued but uninvolved
present but apart
until today
when she climbs up
nestles between us
curls in close
a nebulous shadow of rumbling warmth
dozing beneath my hand

 k

Mouse Road

Chairman MeowFor the longest time, I was a show killer. Do you love a particular TV show? Well, for years, if I loved it, too, it was doomed because, as soon as I started watching it, as soon as I fell in love with the show, its had maybe a year to live before it got canceled.

I’m serious. It got so bad that I would purposefully avoid a promising new show for an entire year, just to give it a chance to catch on. But even with this strategy, if I started watching in Season Two and loved it, it still had a higher risk for cancellation. Continue Reading »

Dragons AheadI am a terrible businessman.

Last week, I submitted my outline for the proposed Fairbanks biographical novel. Along with the actual outline/synopsis, I sent a letter explaining some of the decisions that went into its creation. The family only has experience with writing non-fiction works about the life of their patriarch, sculptor Avard Fairbanks, so I felt it prudent to provide them with some insight into the differences between that and a work of biographical fiction. I also provided them with a quote of costs and timelines that was more realistic than the ball-park estimate I provided them early on. Along with this, I strongly encouraged them to do some research into ghost-writers, to confirm that my quote was not out of line.

The response was good, but measured. They were very pleased with the outline, but the details of costs and timelines introduced a strong dose of reality to the discussion.

This is as I believe it should be but, as I said, I am a terrible businessman. Continue Reading »

Dragons AheadI am an outliner, and right now, I’m damned glad of it.

Prior to beginning a project, I create a fairly extensive outline. Some writers prefer a more organic method; they set up a character in a conflict and write to see where it takes them.

If I were a writer like that, this project would be a nightmare. I wouldn’t know where to start. As it is, though, I knew precisely where to start: with an outline.

Continue Reading »

You want a strong female character? I’ll give you a strong female character.

Catherine Caewood (played by Sarah Lancashire) is the lead role in BBC’s Happy Valley, a crime drama set in working-class West Yorkshire; it’s a valley, but it isn’t happy.

This character is perhaps the most conflicted, complex, and yet utterly understandable creations I’ve seen in a while. Caewood, a sergeant with the local police, is forty-seven, divorced, with two kids—one dead, one that won’t talk to her—and a grandson. She lives with her sister, a recovering heroin addict and, well, you get the picture. Her life’s a mess.

Except it isn’t. Continue Reading »

New Project: Diving In

Dragons AheadI have discovered a corollary to Parkinson’s Law. If you don’t know, Parkinson’s law is:

Work expands to fill the time available for its completion.

My discovery, which I shall call the Researcher’s Corollary to Parkinson’s Law, is:

Research material expands to exceed the time available.

In my experience, the factor by which this material expands (aka the KRAG Coefficient) ranges anywhere from 50–100%, but in theory, it’s an open-ended scale.

Continue Reading »

Rain, by Avard FairbanksAs regular readers have deduced, my current WIP, The Wolf Tree, has been languishing, left untended due to a variety of life events. I should probably call it a “work-in-stasis” rather than a work-in-progress. Now it’s official: The Wolf Tree is on the back burner.

The reason: I received an email asking if I’d like to write a book.

As a self-identified author, I’ve received pitches like this before: a guy has a “great idea” for a book, and all I have to do is outline it, write it, edit it, market it, sell it, and then (of course) give him a cut of the profits as payment for the use of his great idea. Win-Win, right?

Wrong. Continue Reading »