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The Art of Creation

OK, Boomer. This is for you.

Last week, we signed up for a month of Disney+, and did so specifically to watch Peter Jackson’s documentary, “The Beatles: Get Back.

The Beatles were the soundtrack of my earliest youth, before I even knew who they were. I saw them on Ed Sullivan (“Why are all the girls screaming?”) and when my family took a road trip to Disneyland, I saw posters for them pasted on every block in L.A. (“Hehe. They spelled ‘beetles’ wrong.”). By the time I really knew who they were, they had begun to change, shifting from the classic rock and roll of Hard Day’s Night to the more musically complex tracks on Rubber Soul and Revolver. I followed them devotedly into their psychedelic phase, reveling in the rabbit hole of conspiracy theories that swirled around them during the Sgt Pepper/Abbey Road years. And, like most people at the time, I blamed Yoko for everything in the global post-mortem of the band’s break-up.

It’s no surprise, then, that I was willing to drop eight bucks to sign up with Disney+, just to watch Jackson’s three-part documentary about that final period.

What was a surprise was how moved I was by it, and for totally unexpected reasons. Continue Reading »

Upon Waking

Waking is hardest
with heart still open
from night’s departing shades
and the dawning world without
so harsh and saber-sharp
eager for blood

My somnolent soul
has yet to splash its face
much less don plate or shield
and so lies bare before
the onrushing sweep of
life’s unforgiving blade

But since memory shows
my every morning has seen its afternoon
courage pulls thews taut
and thus is joined the daily battle
between my dreams
and the unsleeping world

k

 

For Want of a Pencil

Inspiration often comes from a surprising direction.

I recently had a birthday and my sister sent me a gift. It was a pack of pencils, with a cunning two-stage sharpener and a “point guard” (a metal cap that fits over and protects the pencil’s point, a thing of which I never before heard and now wonder how I ever lived without).

I have a thing about pencils. I’m very particular.

I do not like mechanical pencils. I positively loathe the disposable mechanical pencil (such wastefulness should be resoundingly decried). Give me a pencil of wood and graphite, every time.

Over the past six decades, I’ve always had a preferred brand.

  • First and for many years, it was the old-school yellow Ticonderoga #2. Nothing could beat it for availability, economy, smoothness of draw, and dark positive line.
  • Then I discovered Blackfeet Indian pencils and immediately fell for their natural wood finish and aromatic cedar wood (not to mention the cedar wood box each dozen came in); I was faithful to them for years after they were discontinued, but recently the price of a box became too expensive.

Disappointed by replacement options and running low on my stock of (now prohibitively expensive) Blackfeet, I did what any self-respecting stationery nerd would do. I switched to a fountain pen. I wrote all of the Fallen Cloud Saga with a fountain pen, but recently, as I’ve been concentrating more on poetry, I’ve returned to my first love, the pencil, meting out my Blackfeet Indian pencils with miserly oversight, running each one down to the absolute nub.

Then my sister’s gift arrived.

The pencils she sent are Blackwing 602s. As with the Blackfeet Indian pencil, they had a long and storied reputation; 602s were the preferred (and often exclusive ) choice of great talents: artists (Chuck Jones, Don Bluth), composers (Copland, Bernstein, Sondheim), playwrights (O’Neill, Laurents), and novelists (Steinbeck, White). Also as with the Blackfeet, the line was discontinued in the late 1990s (at which time Sondheim reportedly bought himself a lifetime supply).

The Blackwing 602, however, was revived in 2010, and my sister, knowing my love of All Things Stationery, gifted me with a dozen.

And they are wonderful.

Smooth, long, lean, requiring only the lightest touch for a dark line, with graphite tough enough to hold a fine point (but easy to re-tip, using the 2-stage sharpener), and with a wide eraser that can be extended as it’s used up, they are my new favorite.

“But wait,” I hear you say. “What was that bit up there about inspiration? Where does that come in?”0

Well, it turns out that, as I’ve been toying with these new pencils, using them for notes and analyses for my day job, I’ve grown dissatisfied with using these perfect pencils just for jotting down procedures and sketching out data flows. Even using them for poetry wasn’t enough.

The obvious thing, then, was to take out The Wolf Tree, the novel I’ve been working on since before the pandemic, which still needs a lot of writing.

Which means that the gift of a pencil has unexpectedly provided me the inspiration to get back to work on my novel.

And that’s a gift with a worth that’s far above rubies.

k

Bound by Water

I was born in fog
welling from the coast’s cold waters,
mariners’ mournful cautions
echoing ’round my infant hollow,
earth-bound cloudbanks
tumbling over the ringing hills,
billowing down our mist-slick street,
infusing my new world with ancient distance.

I grow old beneath rain
birthed by distant, tropical seas,
cooled by winds scented with
salt and sand and sun-warmed kelp,
sped by sky-high rivers
to beat upon these tree-clad shores
and wash down to feed the tidal flats
with burbling, silted waters of myriad streams.

Between them is stretched a life
where my limbs grew fast as springtime rye
beneath shadows chased by auspicious suns,
where towering guardians of wood and stone
surrounded the humid masses or arid wild,
where my heart tasted honeyed love and sharp-tongued disdain,
traveling inland altitudes redolent
of mineral earth, verdant crops, and heady loam,
but never the cold, deep cradle
whose primeval memory flows in my veins.

Bound by water,
I have slept in many places,
but only near the sea
have I lived.

Happy Fourth Thursday

Today I am thankful for:
Two brothers, all bundled up in matching navy blue hoodie jackets, out on the cul-de-sac in the bright drizzle, playing a game.

The game is:
Proceed in stages from a starting point (the truck at the near end) to a goal (the far end of the block), by one player tossing a Frisbee ™ as far as they can but not so far (or wide) that the other cannot catch it. It must be caught, or the disc goes back for a rethrow.

Eminently scalable, simple and elegant in rules, it’s a beautifully cooperative game. They win together, full stop. There is no losing. There are only gradients of victory.

Looks like they’re going for a team best, now.

Happy Thanksgiving.

A week or so ago, I had a hankering to spend time with some old friends. We’d been out of contact for fifteen years, and I felt it was time to reconnect, to catch up, to share stories. So, for the past week, I’ve been hanging with Alain, Bronwyn, Wrdisten, Boduos, and the rest of the gang from old Breizh.

In other words, I re-read The Ploughman Chronicles, my 9th century historical high fantasy series.

And we had a blast. Literarily speaking, that is.

In the year AD 880, much of Europe was on the cusp between the old/pagan and new/Christian worldviews, and Brittany itself (where the series is set) was in open revolt against the expanding Carolingian Empire, so there’s a lot of historical intrigue woven into the books. Added to that, though, is an even greater intrigue between our world and the fabled Summerland, the land of the Fey, which lies beyond the Veil. Now throw in a prophecy, that there will come a man who will travel between, and master the power of both the line magic of the Veil and the earth magic of the sleeping gods.

For me, though, it is the characters I love most. I mean, they’re so . . . individual, so quirky, each with a distinct manner, their own way of speaking, and with motivations that are set (and revealed) in layer upon layer.

These books are not your usual high fantasy; I can’t think of another series that even comes close to it. Sadly, this series got no love from my agent—perhaps precisely because it isn’t your usual high fantasy—so they never had much opportunity to get shopped around. Also sadly, when I decided to publish them myself, my editing skills weren’t as sharp as they should have been, so I had to contend with the odd typo (and I really hate typos, especially when I’m the one who let them get into the final product).

But here’s where y’all come in.

You see, I love these books, even more so after my re-read, and I want to share them with you.

So, from now through Monday (November 22), the Kindle versions are free. You can find them both on this page at Amazon.

Download them for free, get the reading app for free, and (I hope) fall in love with them, for free.

Paperback versions are still available, of course.

So go, enjoy; tell a friend; hell, tell an enemy, I don’t care. I just want to share them. And if you like them, write a review. If you don’t, tell it to my agent; I think you’ll find a receptive audience there.

k

To Requite


your need is my desire
your desire is my hope
your hope is my dream
your dream is my heart
your heart is my home
your home is my love
your love is my comfort
your comfort is my need