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Life’s Letters Lost

An interesting article crossed my desk yesterday, detailing a dozen “letters” that just didn’t make the cut for our modern Roman alphabet. Well, okay, it’s not that cut and dried. It’s not like there was a Council of Nicaea meeting on the alphabet. Most of these “lost letters” were in wide use at one time, but just fell out of favor.

You know some of them already. The friendly Ampersand (&) is the best known, and anyone who’s read a facsimile of our Declaration of Independence has snickered over the phrase “Purfuit of Happinefs,” wherein we find both the old “long s” and its surviving relation, the “short s.” (And now you know what to call that “effy” S-thing.) Continue Reading »

Devil on my Shoulder

Part of me always feels guilty.

The writer in me is always watching, always observing, always taking notes. One year, a friend presented me with a t-shirt that said: Careful or You’ll End Up in My Novel. She thought it was funny. I know that it’s true.

There is a vast supply of information out there, presented to us everyday, free of charge–on the bus, in the grocery, on the freeway, in the workplace–and all we writerly-types have to do is watch, observe, note.

So, part of me always feels guilty. Especially at times when my inner amanuensis probably wouldn’t be welcome.

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Cheese Food

Ages ago, in a place and time long forgot, I acquired an old-school cheese lyre. It was, essentially, a Y-shaped piece of steel with a stiff wire across the opening. It did not have one of those roller bars that dictate the thickness of your slice of cheese; the makers assumed you were an adult, and could decide for yourself how thick you wanted your cheese, from wafer-thin to inch-thick hunk. It was a marvel of low-technology—a bent piece of steel with a wire—and it lasted nigh on twenty years.

Two years ago, it broke. Since then, I’ve been looking for another one, but it’s impossible. Continue Reading »

Deficit Death Star

Proving that someone there has both a good sense of humor and a fair dollop of geeky sf-background, the White House officially responded to the petition that the government begin building a Death Star by the year 2016. Any petition having garnered more than 25,000 signatures requires an official response, no matter how silly they might be, and this petition was definitely silly. But, rules is rules, so despite it being a ludicrous idea, the White House gave it the same attention they gave the petitions from all those states that want to secede from the Union.

I encourage you to read the full, official response. From its title (“This Isn’t the Petition Response You’re Looking For”) to its final reminder that nothing can beat the power of the Force, it is chock full of little nods to Star Wars.

And it’s not just the White House that has a sense of humor. Did you know that NASA has a program called the Commercial Crew and Cargo Program, and that it carries the acronym of C3PO? Hehehe.

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Sensawunda

A short time ago, the VISTA (Visible and Infrared Survey Telescope for Astronomy) was doing a “warm-up” routine. It was pointed to a random spot and took a photo. You know, like you, with a new camera, might take a shot of the street outside your house.

But in this analogy, when you took a shot of that street outside your house, you caught the newest Ferrari driving by, or of that model from the Fiat Abarth commercial, or of . VISTA, in an unintentional moment, captured a stunning image of 47 Tucanae, otherwise known as NGC 104.

47 Tuc is a huge globular cluster of millions of stars crammed into a 120 light year diameter sphere. They all orbit the gravitational center of this cluster, but each in its own direction, buzzing around the core like angry bees. This accidental picture is amazing, and if you can, I’d recommend you download the massive 8000×8000 image and play with it a while.

I did, and I zoomed in and out on blue giants, red giants, a field of stars so densely packed that they’re like pave diamonds. In the outer sectors of the image, you can zoom in and, between the stars, see red-shifted galaxies. It’s amazing.

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Beneath a Wounded SkyIt’s always a thrill when other bloggers find enough interest in this blog to tag me in a post or give a nod for a blog-award. It’s gratifying to know that I’m not only reaching people, but doing so with value. And so I was pleased when Jon over at Jumping from Cliffs tagged me in The Next Big Thing Blog Hop.

TNBT asks a writer ten questions about their newest or upcoming work, and then hops on over to other writer’s blogs. These games of virtual tag are always fun because there’s always one or two questions in the stack that catch me off guard.

So first, the questions, and at the end, my five “tag-ees.”

What is the working title of your book?
My most recent book is Beneath a Wounded Sky, Book V in the Fallen Cloud Saga. My shorthand for it is FC:V.

What genre does your book fall under?
The closest genre for the FC books is Alternate History, but the hardline Alt-Hist fans will disagree. As with most of my books, it blends genres, and while it’s mostly alt-hist, it also has fantasy and spiritual elements.

What is the one sentence synopsis of your book?
I shall try…

The Fallen Cloud Saga comes to a close as George Custer, Jr. rides with the Cheyenne Alliance to join forces from the Spanish Crown; together, they face George’s father, President Custer, Sr., and his American army, but their plans conflict with the vision seen by Speaks While Leaving, the Cheyenne seeress and guide.

How dat?

Where did you get the idea for your book?
The idea for the series started when I read The Great Dinosaur Extinction Controversy, by Officer and Page. That got me thinking about how dinosaurs might have survived into the common era (if North America’s inland sea had not receded). That got me thinking about how they might have adapted (smaller size) and what niches they might have filled (perhaps filling the niche that was filled by the Spanish horses). And that got me thinking about how life for the Plains Indians might have been different if, when the Spaniards arrived, the native peoples were already riding these smaller, horse-analogues. And that led me to wonder, “What would have happened if Custer didn’t die at the Little Big Horn?”

Who or what inspired you to write this book?
This last book was inspired by the devotees of the first four books in the Fallen Cloud Saga. When the publisher dropped the series on book four-out-of-five, I was crushed and the fans of the series were orphaned. Then I had some health problems and had to get that in hand, but it took a long time, and I wasn’t sure if I was ever going to write another book.

But the readers, they just loved those books. They sent letters, sent emails, posted on Facebook, made paintings of the characters. And they kept posting, year after year. They were never many in number (if they had been, the publisher would have jumped at FC:V), but they were so enamored of the books, the characters, the World of the Fallen Cloud. Their sincere wishes and gentle encouragement eventually got me back on track and got me writing again.

How long did it take you to write the first draft of your manuscript?
The first books in the FC Saga I wrote quickly; each one took me 9 months to a year at most (I write longhand, with pen and paper.) For FC:V, though, this last book, I had several failed starts. All told, it took me about four years from Page One to final End, but that wasn’t constant writing. Once I finally got the gears working again, it went quickly, but total writing time was probably about two years.

What other books would you compare this story with in your genre?
Since my book is a blend of genres, it’s hard to find a comparison within the major heading of “Alternate History.” However, I’m not the only one who’s pushed the edge of the definition envelope in alt-hist. Orson Scott Card’s “Tales of Alvin Maker” series also blends history and magic, realism with spiritualism, all in a North American setting, so as far as those elements go, it’s a pretty close match. The stories are nothing alike, but the world and even our writing styles have similarities.

Which actors would you choose to play your characters in a movie rendition?
Hehehe…Of course, Sandra Bullock would have to be cast as someone, just so I could meet her… But seriously…

I’ve never envisioned anyone in any of the character roles. I could name a handful of talented First Nations and Native American actors–Wes Studi as Limps, Irene Bedard as Speaks While Leaving, and I would have loved to see the late Will Sampson as one of my chiefs–but most names are not familiar to most movie goers. I’ve thought that in a few years Matthew McConaughey might work as my elder Custer (he wasn’t the fool you probably think he was). And I think Giovanni Ribisi could make a most memorable Vincent D’Avignon.

Will your book be self-published or represented by an agency?
It is impossible to get an agent or a major publisher interested in the fifth book of a series that another publisher dropped. It is almost as impossible to get a small-press or e-publisher interested in it. I tried, for a while, but no one likes leftovers.

But I felt strongly enough about this book, about completing this long, epic story for myself and for the readers, that I decided to go ahead and self-publish. This was not going to be a money-making or career-breakout novel, though. The goal was to make it available for those fans of the series, and if I got a few new readers along the way, that’d be grand. It is a really good series, and the reviews of the fifth book have all been glowing.

What else about your book might pique your reader’s interest?
You might see the premise “Indians Riding Dinosaurs” and think the series was for kids, full of adventure and Western tropes, but it isn’t. While the setting might be fantastical, the characters are not, nor are the troubles they face. The conflicts are so much more than just cowboys and Indians, white man against red. They are the conflicts of oppression, and of a nation’s conscience in the face of a great and long-accepted wrong. They are conflicts of two lovers torn apart by politics. They are the conflicts felt by the sons of famous fathers, and by the fathers of precocious sons. Men and women, loves and hates, friendships and betrayals, allies and enemies, all are here, all are within these books. If you’re still on the fence, check out Chapter One.

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And now, please leapfrog from here over to some writers that I follow:

All very different from one another; all worth the look.

The Power of the Rite

Gossamer WheelIn our push toward a multicultural society, Americans have lost sight of our individual past. In our rush to be democratic, we have lost our sense of dignity. In our urge to be open, we have lost our appreciation for ritual.

Our lives used to be filled with ritual. Ages ago, when life revolved around the twin suns of the natural, agrarian world and the formal religion of our homelands, ritual imbued every life, every day. From feast days to harvest moons, ritual was woven into society; one might even say that ritual created society, shaped it, set its rhythm. Ritual infused everyday events with power and meaning, and helped us mark those once-in-a-lifetime events with the importance they deserved.

But now? Bit by bit, as we demand a more secular government, we remove ritual from public life. As we struggle to reconcile the dogma of religious teachings with the evidence of scientific inquiry, we dilute the power of those rituals our religions provide. This all became starkly clear to me a short time ago, in the wake of my mother’s death.

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