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Okay. Now I’m pissed off.

All weekend, the news was filled with tweets and squawks about the verdict in the George Zimmerman trial, about how “the system had failed,” and how the jurors, now released from their sequestration, were receiving threats and messages of a most vicious nature. The public seemed to want to blame the jurors, and not the laws or the prosecution.

Being on a jury is a completely thankless job. We put jurors down for not being clever enough to get out of their civic responsibility, and then we pillory them for complying with their oath of office. Thus, yesterday, I posted my support of the jury. They had a difficult job, did it conscientiously, and were being punished for it.

But by the end of the day, the Twitterverse blew up again. This time they were outraged by the news that Juror B37 had signed with a literary agent and intended to write a book about her experience. No book deal had been made. She and her agent were just talking about the possibility of writing a book. That didn’t matter to the Twitterati, though, and they went ballistic, got nasty, and started a petition, and stopped the “outrage” in its tracks.

But the Twitterverse got it wrong.

The outrage is not that this woman, Juror B37, was thinking about writing a book of her experience in the trial. Juror B37 is by all reports a quiet, middle-class, middle-aged worker. She has committed no crime. She has performed a civic duty that most of the Twitterati try to shirk. She and five other jurors were sequestered, hidden from their families and the public during the course of a highly publicized trial. She and her co-jurors sat and listened and weighed the evidence, and then rendered a considered verdict which was–by all legal analysis of the trial that I’ve read–the only verdict they could have returned.

No. That’s not the outrage.

The outrage is that the Twitterati, led by people like the anonymous @MoreAndAgain (aka Cocky McSwagsalot) have applied their prejudice to Juror B37. They have disparaged her, libeled her, imputed the failure of the prosecution’s case to her, accused her of dereliction of her duty as a juror, and have successfully bullied her into dropping all plans to write a book on the subject of her experience.

Yes. Bullied.

The Twitterverse has ganged up on Juror B37, eliminated for her a chance to relay her experience to an obviously ignorant public, closed an avenue whereby we might have further discussion of the ridiculous laws that went into this case, and also eliminated for her a way to build some extra income for her retirement.

And these bullies did all this without any facts, without any empathy, and without any shame.

That is outrageous.

I’m disgusted by it.

k

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Kurt R.A. GiambastianiReality is a test. Are you going to face it? Or are you going to reject it?

I’ve tried the latter. I don’t recommend it.

Example: for decades I believed I was a dog person. Then I lived with a dog. I’m not a dog person. I’m a “let me play with your dog” person. Don’t get me wrong; I love dogs. I just don’t want to live with them. At least, not at this point in my life. It wouldn’t be fair to the dog.

So, I’ve learned the lesson that facing reality is always the better choice.

Therefore, I took a long look at the hard numbers from my Amazing Free Book Giveaway Weekend (AFBGW). [For those of you just joining, the AFBGW was a three-day event wherein I was giving away Unraveling Time, my time-travel romance/adventure novel, for free in the Kindle Store.]

The results are pretty grim. (more…)

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Mahonia after rain….and we’re stopping.

When I was a boy, I walked to school. From Greenfield Avenue down the Miracle Mile, onto 4th Street, stop for a moment under the vent at Bordenave’s Bakery to take in the scent of fresh sourdough, then on to H St, 5th Ave, and West End Elementary. It was just under a mile, but it seemed a long way to my 5th grade legs.

When I graduated to 7th grade I switched to Davidson Middle School, down on Woodland Avenue. It was twice as far (a mile and a half away), but I walked there, too. My parents didn’t know that I walked all that way; not until one day, halfway through the 8th grade when I came home soaked to the skin, having gotten caught in the rain. All that time, they thought I had been taking the bus. (more…)

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Kurt R.A. GiambastianiRenowned author Dan Brown has a new book, and it is therefore open season for critics, professional and amateur alike.

But I’m going to leave that to others, especially Michael Deacon of the Daily Telegraph, who did it better than anyone in his pastiche of the Brownian “style.” Really, go read it, but don’t drink coffee while you do so. And don’t pass by the top comments, either, one of which gives us the neologism “blort”–the perfect one-word replacement for “spit take.” If you have time, also check out the Telegraph’s “20 Worst Sentences from Dan Brown.”

The pastiche is easily the funniest piece this side of Chuck Lorre’s vanity cards. Reading it aloud reminded me of similar sessions with “The Eye of Argon” and Atlanta Nights by Travis Tea. (If you’ve never heard of the latter, let me know and I’ll let you in on the history.) The “20 Worst” will make you simultaneously laugh and cry that such sentences make it into a bestselling novel.

But as I said, I’m not going to dogpile on renowned author Dan Brown. Why? (more…)

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Kurt R.A. GiambastianiSorry for this late post. I’ve spent the morning dodging trolls over in the LinkedIn writers’ groups. Oy vey. But while there, someone brought up a topic that actually interested me (until it submerged into troll-dom).

The topic was: big words. Or, more precisely, obscure words.

The poster was complaining about the word “chthonic.” Any of you know what it means, off the top of your head? (more…)

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Kurt R.A. GiambastianiQuestion:

When is a “debut author” not a debut author?

I recently saw an ad for a new book by a “debut author.” Amazon was flogging this book hard, and the publisher had placed adverts in the trades and bought ad space on websites and magazines. Much buzz was being generated about this “debut novel” from a brand-new author.

Thing is…I’m acquainted with this “debut author.” I’ve met her a couple of times, at signings and readings. Signings for her books. Readings of her books. This author is a very nice person and a very good author–I’ve read her work and enjoyed it very much–but she is not a “debut author.” She’s just branching out, writing under a pseudonym.

Pseudonyms are a common practice in writing, and there are many legitimate reasons for using them.

  • An author doesn’t want to be directly identified. A pseudonym creates a buffer between the author and the reading public.
  • An author has failed with his own name, and his track record makes him the literary equivalent of “box office poison.” A pseudonym provides a fresh start with a clean slate.
  • An author has succeeded with her own name, in a specific genre, and her name is now associated with that genre; but now she’s branching out, writing in a different genre. A pseudonym allows her to “rebrand” herself, and write in multiple genres without confusing (and possibly alienating) her faithful readers. I mean, if the latest Stephen King book was filled with epic poetry, some readers might be pissed off (at least in theory).

But it is not the pseudonym that bothers me; not at all. It’s the publisher’s use of the “debut author” label. Yes, this is done all the time; yes, it’s a common marketing practice. There’s nothing illegal about it, certainly, but still, it bothers me. First, it is vaguely insulting. I mean, are readers so dumb that they can’t figure out that Stephen King’s latest (hypothetical) book, titled Odes to Mothers: A collection of epic poetry in the Gothic style, is probably not his usual fare?

It is also unethical, dishonest, and disingenuous. This isn’t a “new voice” in the literary world. In all likelihood, this author’s style is going to be similar to past works, regardless of genre or what name is on the cover.

And more importantly, what does this do to all the other, real debut authors? Does this cheapen their work in comparison? Does this harm their debut? Will people miss their book, in all the noise about this other “debut?” Will buyers think less of the title because the publisher hasn’t put the same kind of oomph behind it?

This is just publishing at its most cutthroat, at its most businesslike. It’s a marketing tactic, designed to maximize ROI, nothing more. It isn’t that the buying public is getting a lesser quality work; on the contrary, these ersatz “debuts” arguably provide something of higher quality than legitimate debuts, so the public is not cheated. But a person can be duped and not be cheated.

Why do we accept dishonesty, if the outcome is not harmful?

k

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Stack of BooksAmazon wants to sell your used ebooks.

Yep, it’s true. Amazon wants to sell your used e-books, and a lot of people are really, really upset by it. “It’ll ruin author’s livelihoods,” some say, and “It’ll destroy the publishing industry” say others.

BTFU.

Before we all go running through the streets with our hair on fire, let’s think about it for a second.

Amazon wants to sell you an e-book for your Kindle and then, once you’ve read it (or not), give you the option to sell it back to them so they can re-sell it to someone else. This allows them to sell it without paying anything to the publisher (and thus, the author), just as if it was a physical book…

Hey…wait a minute…

(more…)

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