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Posts Tagged ‘editing’

Kurt R.A. GiambastianiWhile I’m struggling with the proof process on FC:II (the errors are entirely my own; nothing to do with CreateSpace), another topic came to mind on which I have an opinion: Character Names.

I’ve seen some doozies—in print and in workshops—that left me shaking my head in wonder. Don’t these people read their own stuff? Don’t they see/can’t they hear how awful that name sounds?  Below are some of the naming practices that drive me batty.

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We are informed by our experience. A lot of my experience comes from cinema. I am informed by cinema.

Many readers have told me they can “see” the scenes I write, that my style is “cinematic.” I take this as a compliment, as it is something for which I strive. I want the reader to see it in their mind. I won’t provide each hair or feather or leaf in a scene—that would be awful—but I want my words to paint just enough of the picture that the reader has all she needs to move forward and fill in the details she wants.

But I am definitely informed by cinema. Case in point: a scene I just came across during my re-edit of The Spirit of Thunder.  I remember writing the scene, I remember storyboarding it out in my head. I remember knowing exactly what inspired me to construct the sequence as I did.  (more…)

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This past weekend, I gave myself some time off to enjoy “Borderlands 2” on Xbox, but that doesn’t mean I did nothing, writing-wise. I did a lot, actually…

Friday I finished typesetting the interior of FC:I and started working with the printer. There were two printers in contention for the job: Lulu and CreateSpace. I chose the latter. Here’s why.

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When I decided to publish the new FC books myself, I rather knew what I was getting into. Publishers, for all their flaws, do provide a lot for the writer. I’ve seen it, experienced it, and though I bitched about a lot of it at the time, I surely do miss it now.

Some of the services a publisher provides that are now on my plate: editing, copy-editing, fact-checking, cover art, and typesetting. (And this doesn’t even get into the marketing/distribution side of things.)

It’s that last one, though…typesetting. It’s a bloody mare’s nest of minutia and details. But its importance cannot be understated. I’ve done this before, but it’s always a surprise. (more…)

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Cover art is here! I’ve also decided that I won’t be going with a hardback version of these books; production costs are too high and the demand is too low. We’ll be putting these out in trade paper and in e-book formats.

Onward!

originally From the Heart of the Storm

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There were several topics in my head this morning, all vying for attention.

Yesterday was a bad day—personally, nationally, internationally—and the opinions, the frustrations, the anger built until, about 9PM, the dreaded pall of futility and depression began to creep upon me. How to battle not only the news of terrible events, but the rash and unwise reactions that predominated the blogosphere? After so many years, after so many trials, have we learned nothing?

I tried to shake it and turned back to my work prepping The Year the Cloud Fell for re-release. Editing—even a quick review edit like I’m giving these books—may seem like an odd method for lifting one’s mood, but it paid off, for out of the blackness of my mood, there came a warm and friendly light. (more…)

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Kurt R.A. GiambastianiI heard back from Fairwood Press, yesterday. As publisher of Dreams of the Desert Wind (my genre-mashup of speculative fiction, thriller, and corporate espionage), I wanted to give them the “right of first refusal” on the new FC:V. The good news is that Fairwood is doing very well; the bad news is that their docket is filled for 2013, and they couldn’t entertain this title until 2014.

That’s too long a wait. So, I’m moving ahead; Beneath a Wounded Sky will be published by Mouse Road Press (i.e., me) as part of a full, five-book release of The Fallen Cloud Saga.

Which means that everything is now on my plate. Including cover art.

I have an advantage here. I don’t care if this project makes money. In fact, I assume it won’t. So, if I have covers that don’t tick all the boxes on the marketing strategy checklist, no worries. But I do want to have good-looking covers.

However, I do not want to have the standard-style, heavy-detail, photo-realistic cover of men and machines that you see on almost every alternate history title on the shelf. I want something different.

I’m thinking: minimalist.

There’s a new meme out there. Do a Google search on “minimalist movie poster” and you’ll see what I mean. These are evocative but very stylized images. Most of them play on a previous knowledge of the movie, but they needn’t. They’re eye-catching, they’re clean and easy to understand, and they tell a little story all on their own.

So, I’m reaching out to some of my friends who have graphic art experience, to get their input on the process. I already have concept art for each of the five covers. Three of them are pretty much final product, in fact (yes, I was working on this ahead of time, having predicted the Fairwood response).

These covers will be unusual, setting them apart from the standard cover art for the genre. They will have a uniform “look and feel” to them, identifying them as a set. And since I won’t have to use any stock photo images (bonus), they will also be completely free of royalty costs.

I’m not an artist—I’m saving that learning curve for my retirement—but I understand the basics of design. With some educated guidance, I hope I can come up with a set of covers that will do my series proud.

k

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