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Posts Tagged ‘ebooks’

The goal of almost every writer is to be published by a big publishing firm. These big publishing houses pretty much had a lock on the whole shebang until about 20 years ago, when small and on-demand presses started popping up. Then, when e-publishing started to take off, authors had even more options open to them.

But, for most of us, the Yellow Brick Road still leads to Oz, and all those other venues are just waypoints for which we must “settle” if we can’t get all the way to the Big Publishing House.

I’ve hit pretty much every stop on the Yellow Brick Road. Under normal circumstances, I’d be taking my new novel down as far down that road as possible, but FC:V is a bit of an edge case. (more…)

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Just as today no one will ever go into a store and thrill as they unfold the triptych of the latest Roger Dean album cover, so too, in a short period of time, no one will go into a bookstore and stop as they smell that rarefied combination of pulp and fresh ink.

Like it or not (and I don’t) we are moving toward a world in which sales of physical books will be a niche market, like vinyl LPs are today. Most of the trade in these items will involve used books and take place in small, dust-filled shops where these throwback items will eagerly line the shelves, their worn spines and faded gilt lettering displayed to their best advantage. Like potential adopters at an animal shelter, we will wish we could take them all home, but we will not be able, and will have to satisfy ourselves with saving just one or two.

A plethora of experiences and rituals will be lost to this, the Kindle generation. Technology will enhance their lives in many ways, but in this one arena, they will be the poorer for it.

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Harcopies Rule!The topic that keeps popping up among my writerly friends is “E-Books” I will admit to being less-than-enamored of e-books (read as, “I hate them”) but I have bowed before reality.

Ebooks are here.
They are here to stay.
Get over it.
Move on.

Happily, I have to say that two of my greatest fears about e-books—piracy and death of the hardcopy—have not come true.

We just do not have rampant piracy of ebooks. This is in part due to the proprietary lockdown of various e-readers and tablets, but even outside of that, we just don’t see pirated versions of the latest e-bestseller going viral. This bolsters my long-held opinion that, if you make electronic versions of your creation affordable enough and accessible enough, most people will just pay the price and enjoy the product. Piracy is still a problem in those areas that are overpriced and proprietary: movies, software, and video games. Hacking a $50 movie or a $200 software package and selling a couple thousand copies half-price makes total business sense, but hacking a $5 book? Where’s the profit?

As to the death of hardcopy versions (and the loss of the legacy they provide), my fears about this were swept away just a couple of days ago. A Faithful Reader emailed me, asking if the Fallen Cloud books were available in e-versions (like all my other titles). I had to inform her that, sadly, no, the Fallen Cloud books I-IV were not currently available in e-format, but that when FC:V came out, I fully intended to have all five books available in e-format.

Faithful Reader replied that this was great news. Naturally (she said), she would be buying the hardcopy version, but she wanted to have them in electronic format, too.

This was astounding to me; someone liked my work enough not only to get an e-version for her tablet, but she also was willing to shell out money for a legacy hardcopy. It was humbling, and it also pointed out where books win out over music and movies: People just are not going to buy an album or movie on iTunes and then buy a physical CD or DVD. There’s no advantage to that second copy, and there’s no cachet to a physical disk like there is with a physical book. The closest music can come to that is the old albums that covered LP vinyl, and vinyl is a seriously niche market. So, books have a potential second market, whereas music, movies, etc., have only one.

Add to this the increasing ease of bringing an e-book to market for the small publisher or independently-published author, and the question of “going e” becomes moot. With increased profit margins and decreased costs, it’s a no-brainer; you will go “e”. You’d be stupid not to.

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Welcome to the New Dark Age.

How’s that, you say? Let me explain.

We are moving through a time when the majority of information is being stored digitally, and only digitally. Memos, letters, pictures, books, even movies, all only exist—in an increasingly large percentage—only as binary ones and zeroes on some form of digital media. Add to this all the information that exists only on websites, and you have a staggering amount if information that is, essentially, ephemeral. The British Library warns that we are already losing information, some of it important cultural information, from websites that come and go with the cultural tides. Additionally, irreplaceable scientific data may have already been lost through our inexorable march from one media to the other.

Have any old cassette tapes? Any old 3.5″ floppy disks? A tape drive for your old PC? Have any music or video stored in MP2 format? I do, and all that data—old music, pictures, stories, poems—is lost because I can no longer access it.

Let me put it this way: I have, on my desk, an edition of the Bible, printed in 1701 (pictured), complete with explications and marginalia. I can read this just as easily today as Isaac Newton could have (okay, not quite as easily, as my Latin isn’t as good as his was). I have a book, purchased in the late 90s, for use with my REB1000 eBook reader (yes, I was one of the first to try an e-reader). I cannot read it. My REB1000 is long gone, and the book’s proprietary format is indecipherable. Think about that: I can read the first book, in its original form, three centuries after it was published, and yet I can’t even view the one I bought less than twenty years ago. And don’t get me started on how many times I’ve had to buy The White Album…

Fast-forward 300 years…what will future historians find, looking back on this time? All the websites from our time are gone (What? You think Google is backing them up? Think again!). All the music, stored and delivered digitally, is in a format they can’t decode. Billions upon billions of photos, personal and professional, were lost simply through hard drive crashes. And books? The explosion of the e-book/e-reader market crushed the hardcopy publishing industry and many books, bestsellers in their day, were published only in electronic format. Think that 300-year old Kindle will fire up?

It’s not that we can’t retain all this data, and it’s not that we can’t transfer or convert all these media as new formats emerge. It’s just that we aren’t doing so.

As a species, we have all the foresight of a bug flying down the interstate. Time and again, we simply do not see the semi heading toward us until we’re splattered on the windscreen. The future may look bright and shiny, from our point of view, but from up there in the future, the view back may be much darker than we imagine.

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