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Posts Tagged ‘ebooks’

Well, that two week’s vacation went by in a blitz. It was very productive, with the last two books of the Fallen Cloud Saga hitting the streets, but boy, could I have used another week…or month.

Now that the hardcopies are available, I realize I have made a classic mistake. It’s all part-and-parcel of the difficulty in switching from my author hat to my publisher hat. The author in me just wants to get the book out there and get it into reader’s hands. The publisher (an admittedly weaker part of me) wants to get the best release, the best buzz, and the best notice which helps get the book into more readers’ hands.

So, this classic mistake is to rush “to print” at the detriment of any sort of planning and release strategy.

But all is not lost.

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For any writer, the time between final MS edits and seeing the work in print is the longest ever experienced. For the self-published writer, who has greater control over this “pre-production” period, there is great temptation to push the process forward, cut corners, and accept less-than-perfect results, in order to get that book into readers’ hands.

With FC:II (aka The Spirit of Thunder) I have had to be very strict with myself. I’ve gone through four proofs—one physical, three digital—finding and then fixing one small error after another. It’s been tough, and I’ve had that conversation in my head…you know, the one that starts, “Who’ll notice?”

Bottom line: I noticed. So will someone else.

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Yesterday, the second proof for The Year the Cloud Fell (2nd Edition) arrived from CreateSpace, and it was easy to see that the revisions I made were warranted.

The smaller font size and the wider margins make all the difference in the “feel” of the text on the page. Bookman Old Style still has that open, hot-lead, typeset look in 11pt, and the extra white space to top and side actually make the smaller font look less cramped. It’s readable, it feels good in the hand, and it passes all my criteria for a quality product.

It’s ready.

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When I decided to publish the new FC books myself, I rather knew what I was getting into. Publishers, for all their flaws, do provide a lot for the writer. I’ve seen it, experienced it, and though I bitched about a lot of it at the time, I surely do miss it now.

Some of the services a publisher provides that are now on my plate: editing, copy-editing, fact-checking, cover art, and typesetting. (And this doesn’t even get into the marketing/distribution side of things.)

It’s that last one, though…typesetting. It’s a bloody mare’s nest of minutia and details. But its importance cannot be understated. I’ve done this before, but it’s always a surprise. (more…)

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Kurt R.A. GiambastianiCounting words used to be important. It also used to be arcane.

As the physically printed word goes slowly out of style, the importance of word count diminishes. When I worked as a head pressman at a small newspaper, word count was king because word count translated to column inches, and you only had so many of those in each issue. Reporters typed up their story, handed it to the typesetter who typed it into a machine the size of a van. Long strips of paper came out the far side which we then painstakingly—and absolutely literally—cut and pasted onto the page mock-up. Word count gave us an idea of how much space each article would use. But it was not a literal count of the words.

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Cover art is here! I’ve also decided that I won’t be going with a hardback version of these books; production costs are too high and the demand is too low. We’ll be putting these out in trade paper and in e-book formats.

Onward!

originally From the Heart of the Storm

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Kurt R.A. GiambastianiI heard back from Fairwood Press, yesterday. As publisher of Dreams of the Desert Wind (my genre-mashup of speculative fiction, thriller, and corporate espionage), I wanted to give them the “right of first refusal” on the new FC:V. The good news is that Fairwood is doing very well; the bad news is that their docket is filled for 2013, and they couldn’t entertain this title until 2014.

That’s too long a wait. So, I’m moving ahead; Beneath a Wounded Sky will be published by Mouse Road Press (i.e., me) as part of a full, five-book release of The Fallen Cloud Saga.

Which means that everything is now on my plate. Including cover art.

I have an advantage here. I don’t care if this project makes money. In fact, I assume it won’t. So, if I have covers that don’t tick all the boxes on the marketing strategy checklist, no worries. But I do want to have good-looking covers.

However, I do not want to have the standard-style, heavy-detail, photo-realistic cover of men and machines that you see on almost every alternate history title on the shelf. I want something different.

I’m thinking: minimalist.

There’s a new meme out there. Do a Google search on “minimalist movie poster” and you’ll see what I mean. These are evocative but very stylized images. Most of them play on a previous knowledge of the movie, but they needn’t. They’re eye-catching, they’re clean and easy to understand, and they tell a little story all on their own.

So, I’m reaching out to some of my friends who have graphic art experience, to get their input on the process. I already have concept art for each of the five covers. Three of them are pretty much final product, in fact (yes, I was working on this ahead of time, having predicted the Fairwood response).

These covers will be unusual, setting them apart from the standard cover art for the genre. They will have a uniform “look and feel” to them, identifying them as a set. And since I won’t have to use any stock photo images (bonus), they will also be completely free of royalty costs.

I’m not an artist—I’m saving that learning curve for my retirement—but I understand the basics of design. With some educated guidance, I hope I can come up with a set of covers that will do my series proud.

k

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