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Submit

Dragons AheadI’ve never liked the word “submit.” To Submit, to place under, to capitulate, to yield.

Nope. Never liked it.

When I started writing, I learned a new meaning for the word “submit”: to send for consideration a manuscript, born of sweat and tears, wrapped in prayers and orisons, in hopes that, against overwhelming odds and counter to all probability, an editor will find it pleasing and bestow upon it the gift of acceptance.

And submit I did. Often and regularly. For years. I have the rejections to prove it (more on them, next week). For now, though, some thoughts on the mechanics of submitting your work to markets.

First: Do it.

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Globe Trotting

Clock TowerSome people (you know who you are…Ari) feel that Kenneth Branagh’s cinematic version of Much Ado About Nothing is the gold standard. I admit, though Ken’s version is one of my favorites, I cannot find it within me to apply that label to anything with Keanu Reeves in it. Sorry. Ain’t gonna happen.

Then there is Joss Whedon’s Much Ado, filmed on a shoestring at his home in Malibu, but for all that it’s made by Joss (squee!), it still takes about 20 minutes of film-time to get its feet under itself, and that’s too long.

There’s also the Brandon Arnold version, a high-school production that might best be re-titled “Much Ado 90210.” Just…don’t.

Beyond that, you have to go back to the ’80s or the ’70s to find a decent version so, still and all, Branagh’s version is one of the best…

…but…

…it’s a movie.

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Pursuant to my earlier post on self-promotion, I want to share what happened to me yesterday: a prime example of what NOT to do.

I am very well aware that, these days, writers must promote their work. I also know that, for the self-published, all promotion is, by definition, left solely to the author’s efforts.

But there are limits, both to what is effective and to what is appropriate.

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The Other Half

Coffee and NewspaperWhen I visited my school guidance counselor to discuss my future careers, the term “creativity scientist” never came up. Then again, neither did “musician” or “novelist” or even “computer programmer,” all of which I have used to describe various aspects of my “career.”

But “creativity scientist?” Wow, that sounds like a good gig. Of course, “zookeeper” sounds great, too, until you realize that it’s mostly shoveling poop. Come to think of it, “shoveling poop” describes every single job I’ve ever had, to one degree or another. Sometimes it’s my poop. Most times it’s someone else’s. No matter what, it’s poop. Everyone shovels poop.

Anyway…Jefferson Smith, who runs the Creativity Hacker website and blog, obviously attended a different school district than I did. He is a creativity scientist and novelist, and he’s got some interesting ideas and thoughts on all things creative, and especially about creative writing.

One of his ideas is his “Immerse or Die” program: Take a book, get on the treadmill, and see how long the author keeps the reader immersed in the world of the novel. Continue Reading »

A Moment of Silence

In Memoriam

 

–k

TFL ProblemThere are times when sticking your neck out can make a difference. Then there are times when all you get is your head handed to you in a burlap sack.

Last week, a Facebook friend began to post vitriol against ISIS (or ISIL, or the Islamic State…choose your moniker) and against President Obama. He started slow–a comment here, a flame there–but his rhetoric took an uptick when he posted a collection of presidential quotes that included old favorites such as Roosevelt’s “Speak softly and carry a big stick,” and Reagan’s Cold War strategy, “We win, they lose,” and ended with Obama’s recent faux pas: “We don’t have a strategy, yet.”

The gist of his posts: ISIS is super-bad, and Obama is doing nothing.

If that was all it was, I probably would have left it alone. I knew that Obama wasn’t doing “nothing,” and I agree that ISIS is super-bad and must be dealt with. But that wasn’t all it was. Continue Reading »

Self-Flagellation

Self-Promotion: the crude and unappealing practice of marketing one’s own work; in British slang, often called “flogging.”

I’ve only met one writer who actually enjoys flogging his books. He travels up and down the coast, reading excerpts, glad-handing, meeting people, building an impressive network. For every other writer I’ve met, mention the word “promotion” and watch them wince.

We hate promoting our books. HateitHateitHateit. Some writers hate it so much, they don’t do it at all.

But according to ND Author Services (aka NDAS, run by bestselling authors Barb and J.C. Hendee, who–believe me–know what they’re talking about), there’s some good news. As with everything else in the publishing industry, self-promotion–the very nature of it–is changing.

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