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The Inertial Brain

A brain at rest stays at rest.
A brain in motion stays in motion

unless acted upon by an outside force.

Obey the Kitty!I’ve had a lot on my mind, of late. Problems at work, serious illness in the family, seeking a new job, the question of a career change, the question of additional training in my current career, another (possible) illness in the family, plus the self-imposed pressures about writing and book releases. In all, it’s kept my brain in motion pretty much all the time.

Normally, a brain in motion is a good thing. A brain in motion is a thinking brain, a learning brain. When all is calm, a brain in motion sails happily along. It thinks during the day, it dreams at night. But when placed under stress, it loses equilibrium. Sleep is disturbed. Patterns are disrupted. It cannot focus. It cannot concentrate. Continue Reading »

Who Ya Gonna Call?

Yesterday’s post engendered some questions about getting feedback on our writing; specifically, How? More specifically, in the absence of an editor or agent, “…where does the average person seeking to improve their writing find honest and unrestrained critical feedback for their writing?”

First, let’s dispel a myth. Editors and agents don’t give you advice on how to improve as a writer. Sorry. They don’t.

Some agents (like the one I had) don’t give any constructive advice at all, but merely give you their impression of the marketability of an already completed work. Some agents are savvy enough to help a writer polish a work-in-progress, but from all the anecdotal evidence I’ve heard, they’re rare. They’re marketers, not editors.

And editors are generally only going to provide feedback on a particular work, the one they have contracted to bring to market. An editor will help you make a book you’ve written better, which may help you become a better writer, but the goal is to make the book better, not to make you a better writer. It may sound like a subtle distinction, but it isn’t.

In short, both agents and editors are focused on a single, finished work, only appear in a writer’s life after s/he has achieved a certain level of competence, and are not in the business of bringing a writer’s chops up to professional levels. After Book One, they may provide input or advice on Book Two, but they still aren’t going to tell you how to write, much less how to write well.

So, where does that leave a budding writer? Continue Reading »

Walking the Edge

Kurt R.A. GiambastianiBack when I had a writing career, I was given some advice. I was having lunch with my agent and the editor of the Science Fiction Book Club. (My first novel, The Year the Cloud Fell, had been a featured alternate at SFBC.) When the conversation swung around to my work, the editor said, “your books have too much history.” My agent nodded, sagely, as if this was the most obvious thing in the world.

I’m very good at not reacting immediately to bad news. It’s a defense mechanism, really. Treat me with rudeness or disrespect, tell me my dog died, or drop a pithy little bomb like “your books have too much history,” and I shut down. The smile stays up. The amenities and little etiquettes are still observed. Platitudes and small talk continue to be exchanged. “How nice.” “It was a pleasure meeting you.” “Until next time.”

Meanwhile, my inner child is weeping, my reptilian brain has fled for a safe, dark corner, and my intellect has gone all blue-screen on me.

“Too much history”? That’s like telling Mozart his music has “too many notes.”

Continue Reading »

A New Lincoln

In the absence of factual data, we often fill in the blanks with archetypes. So it was with Abraham Lincoln. Admired, respected, nearly deified, the Lincoln we knew in our youth was a tall man of serene demeanor, with a deep voice, and an unflappable dignity.

About the only part we got right was that he was tall.

Using Doris Kearns Goodwin’s excellent book as a foundation, Steven Spielberg and (most especially) Daniel Day-Lewis have given us a new Lincoln, a more complete Lincoln, and he is in nearly every way different from what we’ve imagined.

“Lincoln” is in every way I can judge an excellent film: from the direction to the costumes, set decoration to the screenplay, acting to the cinematography. It has to be on the short list for Oscar contention, and we should just give Day-Lewis his award right now.

If I had to pick on something, it would be the soundtrack. Continue Reading »

Poetry as a Tool

Kurt R.A. GiambastianiI am not a poet. Well, no more than the next person, I’d say. But as a writer, I think poetry is a useful tool. I learn from writing poetry, whether it’s free verse or a more formal structure. Like etudes to the pianist, I learn technique through poetry. I learn how to be spare.

I put some of my poetry online here, today, a new annex off the Writing page. Some of them still make me smile. Many are bittersweet, as that’s the mood that most resonates with my Inner Poet. Rueful, I guess.

In my opinion, poetry should not read like prose, as so often happens these days. Like a lot of modern art, I think a lot of modern poetry is a sham. But I’m an old, crusty curmudgeon, so what do I know, eh?

k

Take a Bite

Full disclosure: I do not like vampire stories.

Puzzlement: I’m going to recommend one.

The past twenty years have seen an ever-increasing convolution of the vampire, twisting and shoving the original ’50s monster into the tightening straight-jacket of political correctness. I mean, sparkling? Seriously? That’s why they can’t see sunlight now? They sparkle? I haven’t done a study of it (nor will I) but I wouldn’t be at all surprised if there’s a vegan vampire out there, sucking the life out of blood oranges and beetroot. Continue Reading »

Time for a Change

Obey the Kitty!In other news, I’m getting a divorce.

Yes, after 20+ years with the same company, I’m finally so weary of the booshwah that I’m going to risk a re-entry to the job market. It’s not often you find someone who’s been with the same company for 20+ years, nowadays, but it happens. To be frank, it’s the way I’ve always thought it should be.

Growing up, I watched my father work long and steady hours for only two companies. He was a lithographer, and there weren’t too many shops back then, even in San Francisco, but there were enough that he could have switched jobs every few years. But he didn’t. Few people did. Longevity was the norm, back then. You found a place you liked; you stayed there, and your tenure was respected. Continue Reading »