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Posts Tagged ‘Writing’

Yesterday, several writers I know—professionally- and self-published both—went ballistic at the news: Simon & Schuster Join with Author Solutions to Create Archway Publishing

Why the furor? Why is this such a bad thing? Two reasons.

Reason #1: Conflict with Writer’s Rule #1

Writers Rule #1: Money flows toward the writer.

When you’re self-publishing, this is a hard rule to keep. Remember, though, that when you’re self-publishing, you’re wearing two hats: Writer and Publisher. Money flows toward the Writer, but the Publisher has some up-front costs. But how much up-front cost is too much? Most writers don’t know, are naifs in the wilderness of the writing/publishing ecosystem, and are in general insecure about the whole “business” side of their business. (more…)

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As a music major, I never really listened to music for the lyrics; I could rarely understand the singers anyway. (That’s why, during the final seasons of BSG, I missed the fun when they started quoting “All Along the Watchtower,” but that’s beside the point, really.)

Naturally, therefore, music has been incredibly important to my mind. It’s always been there, providing a soundtrack to my life, driving me onward or soothing my savage breast, lifting my spirits or challenging my assumptions with new and unusual combinations of sounds and tonalities.

When I switched from being a working musician to a struggling writer, music continued to play a big part. A very important part, as it turns out.

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Yesterday’s post engendered some questions about getting feedback on our writing; specifically, How? More specifically, in the absence of an editor or agent, “…where does the average person seeking to improve their writing find honest and unrestrained critical feedback for their writing?”

First, let’s dispel a myth. Editors and agents don’t give you advice on how to improve as a writer. Sorry. They don’t.

Some agents (like the one I had) don’t give any constructive advice at all, but merely give you their impression of the marketability of an already completed work. Some agents are savvy enough to help a writer polish a work-in-progress, but from all the anecdotal evidence I’ve heard, they’re rare. They’re marketers, not editors.

And editors are generally only going to provide feedback on a particular work, the one they have contracted to bring to market. An editor will help you make a book you’ve written better, which may help you become a better writer, but the goal is to make the book better, not to make you a better writer. It may sound like a subtle distinction, but it isn’t.

In short, both agents and editors are focused on a single, finished work, only appear in a writer’s life after s/he has achieved a certain level of competence, and are not in the business of bringing a writer’s chops up to professional levels. After Book One, they may provide input or advice on Book Two, but they still aren’t going to tell you how to write, much less how to write well.

So, where does that leave a budding writer? (more…)

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Kurt R.A. GiambastianiBack when I had a writing career, I was given some advice. I was having lunch with my agent and the editor of the Science Fiction Book Club. (My first novel, The Year the Cloud Fell, had been a featured alternate at SFBC.) When the conversation swung around to my work, the editor said, “your books have too much history.” My agent nodded, sagely, as if this was the most obvious thing in the world.

I’m very good at not reacting immediately to bad news. It’s a defense mechanism, really. Treat me with rudeness or disrespect, tell me my dog died, or drop a pithy little bomb like “your books have too much history,” and I shut down. The smile stays up. The amenities and little etiquettes are still observed. Platitudes and small talk continue to be exchanged. “How nice.” “It was a pleasure meeting you.” “Until next time.”

Meanwhile, my inner child is weeping, my reptilian brain has fled for a safe, dark corner, and my intellect has gone all blue-screen on me.

“Too much history”? That’s like telling Mozart his music has “too many notes.”

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Kurt R.A. GiambastianiI am not a poet. Well, no more than the next person, I’d say. But as a writer, I think poetry is a useful tool. I learn from writing poetry, whether it’s free verse or a more formal structure. Like etudes to the pianist, I learn technique through poetry. I learn how to be spare.

I put some of my poetry online here, today, a new annex off the Writing page. Some of them still make me smile. Many are bittersweet, as that’s the mood that most resonates with my Inner Poet. Rueful, I guess.

In my opinion, poetry should not read like prose, as so often happens these days. Like a lot of modern art, I think a lot of modern poetry is a sham. But I’m an old, crusty curmudgeon, so what do I know, eh?

k

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Somewhere between the publication of FC:IV and the writing of FC:V, I got sidetracked. It was a lot of things, really, but one thing, primarily: I met my mortality.

When I was young, like many melodramatic youths, I expected to die young. At the age of 32, to be precise. Who knows why that age and not, say, 34, became locked in my mind like some sort of Logan’s Run sell-by date, but it did. When the age of 32 came and went without so much as a blip on the death-o-meter, it wasn’t a surprise; by that time, I’d realized how silly the conceit was.

Then Death came by for a little visit. (more…)

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Remember when I posted the sad story of a bestselling writer trashing his competition in bogus reviews? Well, it seems that Amazon is doing something about it.

Salon and other sources report that Amazon is deleting book reviews made by authors. That’s right. Deleting them. Poof. Gone. Nothing. And from now on authors will be banned/prohibited from posting reviews on books. That’s right! “The Evil Empire” is censoring my words and opinions! Egad! Zounds! Help! Help! I’m bein’ repressed!!

Actually, I’m fine with it. (more…)

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