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Posts Tagged ‘Writing’

Stack of BooksPeople have told me that I’m too tough in my critiques. Privately, I’ve been told that these “The View from Here” posts are too harsh, too critical. “New writers will make mistakes,” I’m told. “That’s what editors are for.” Poppycock.

A number of years ago, I used to read slush for a magazine. It was unpaid intern-type-stuff, but it taught me a great deal (as all good unpaid intern-type-stuff should). It taught me about deadlines and time-management. It taught me a lot about publishing, as I was able to see a lot of it from behind the scenes. It taught me the truth of the adage: The only way to make a small fortune in publishing is to start with a large fortune.

But most of all, it taught me to think like an editor.

An editor is like an alcoholic in a 12-step program–Let’s skip right over the joke about how most of them actually are alcoholics in 12-step programs and move right to what I mean by that.–i.e., editors read MSS one page at a time. Screw up on Page One, they’ll never read Page Two. After all, why go farther? Why read any more if page one just sucks? They won’t. Screw up on Page One–hell, screw up in Paragraph One–and you’re done.

So yes, I’m tough. And now, onto the next item I see a lot in some of the fiction posted out there: Bad metaphors and stupid similes.

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Stack of BooksIt’s virtually unavoidable, this one. Seriously, virtually unavoidable, just like the old show/tell chestnut. It takes a mountain of diligence, discipline, and work for me to avoid it. And in the end, if I am successful in removing its stain from my story, the result might not be any better. So, as with that old “Show, don’t tell” adage, this one is largely a matter of degree. Too much, and my prose is comical. Too little, and…what’s that? You don’t know what I’m talking about? You mean I didn’t explain something to you?

And there’s the rub. If you haven’t from the title or the above gleaned my drift, let me spell it out for you. I’m talking about the dreaded expository block. Yes, that clunk-fest where the author steps right into the story, takes you (poor Reader) in hand, and gently explains to you what’s really going on. It’s that section which, when put into the mouth of a character, usually starts with a phrase like, “As you know, Bob…” It’s when Steven Spielberg paints a little girl’s coat red in an otherwise black-and-white film, just to make sure that you and he are on the same page.

But exposition is often necessary. My readers aren’t psychic, and just as I can’t “show” every last detail and nuance, neither should I take my story back to the beginning of, well, Everything, in order to expose my reader to all the backstory and context that imbues my heartbreaking work of utter genius. So, it’s another balancing act, another vague artist’s equation wherein phrases like a lot and too much prominently figure.

Some examples after the jump:

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An interesting article crossed my desk yesterday, detailing a dozen “letters” that just didn’t make the cut for our modern Roman alphabet. Well, okay, it’s not that cut and dried. It’s not like there was a Council of Nicaea meeting on the alphabet. Most of these “lost letters” were in wide use at one time, but just fell out of favor.

You know some of them already. The friendly Ampersand (&) is the best known, and anyone who’s read a facsimile of our Declaration of Independence has snickered over the phrase “Purfuit of Happinefs,” wherein we find both the old “long s” and its surviving relation, the “short s.” (And now you know what to call that “effy” S-thing.) (more…)

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Part of me always feels guilty.

The writer in me is always watching, always observing, always taking notes. One year, a friend presented me with a t-shirt that said: Careful or You’ll End Up in My Novel. She thought it was funny. I know that it’s true.

There is a vast supply of information out there, presented to us everyday, free of charge–on the bus, in the grocery, on the freeway, in the workplace–and all we writerly-types have to do is watch, observe, note.

So, part of me always feels guilty. Especially at times when my inner amanuensis probably wouldn’t be welcome.

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Stack of BooksI was young, with a penchant for obsession. I studied musical performance and conducting, and ran with a cadre of like-minded scholars. I was a science-fiction/fantasy geek, and so were they. It was fated, then, that when the first Star Wars movie came out, we would band together for trips to The City. Week after week we would ride down Geary, invade The Coronet theater, outmaneuver all comers, and claim the eight seats at first-row-center. There, practically vibrating with anticipation, we would wait, hands poised, ready for the downbeat. Together, we would conduct the entire score (long ago committed to memory), cueing the chords of the Death Star leitmotif, pulling in horns and strings as we swept up to light-speed. It was grand. It was intoxicating.

Until Harrison Ford tried to get his mouth around the line, “Marching into the Detention Center is not my idea of fun.”

A lighthearted line, to be sure, but one that brought sniggers George Lucas did not expect. I mean, Harrison practically had to spit out his teeth to deliver that line. How did it ever make it through the table-read? What was that writer thinking?

Now, having cut my own writing chops, I know exactly what that writer was thinking.  He wasn’t.

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Obey the Kitty!

Obey the Kitty!

As of the first, my inbox and this blog have been inundated by new spam. Whereas before this blog used to get only 2-4 spam posts per day, now it gets 2-4 dozen spam posts per day.

And is it a requirement that a spam post must include misspellings and grammatical errors? I mean, if you’re going to go to the trouble of putting meaningful text in your spam, why not write it correctly. Have some pride, people!

However, as a result, if you’ve made a comment and it disappears, my sincere apologies; please send me a note and we’ll work to fix it. I want to see the comments from ALL of you–comments close the loop and let me know if what I’m posting is making sense.

Moving forward with my “The View from Here” posts, I’m not going to put these up daily. First, they take more thought to prepare than rants like this, and second, I want to give us time to discuss one topic thoroughly before moving on to the next.

So, for now, I’m going to be glad it’s Friday, I’m going to enjoy the absolutely dreary weather Seattle offers me today, I’m going to make some notes anent my recent trip to California, and I’m going to water my orchids.

And yes, I just used the word “anent” in a sentence. Try it. It’s fun!

k

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Stack of BooksI hear you already. “Not that old chestnut!” Sorry. Sad, but true: “Show, Don’t Tell” is one of the most common of errors I’ve seen in the past couple of weeks prowling the new-writer-blogosphere, and sometimes the errors are simply egregious.

First off, let me say that I believe it is damned near impossible to “show” everything in a story. I mean, come on; you have to take a short-cut through a description now and again. I also think it’s unnecessary to “show” everything. And, to round out the argument against, there really aren’t any “rules” in fiction…or at least there aren’t any rules you can’t break now and again. As always, know when you break a rule, and do it for a reason.

As promised, I’m going to pick examples of these errors from my own stories, posted here on this site. Some of these stories are my very first efforts, so finding errors in them usually isn’t hard, but “Show, Don’t Tell” is a mantra that was drilled into me early on in workshops and from editors, so I had to root about a bit to find these offenders. Every story has spots where I need to move things along and not gum up the momentum with a fully descriptive flashback. A memory here, a wondering thought there, these might be difficult to “show” thoroughly. So, even if you find this sort of thing in your own work, the errors may not be big enough to warrant a rewrite; fixing them might alter the flow of the tale.

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