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Posts Tagged ‘Writing’

SFC's Little Men by Warren GoodrichWhen I was a child, by far the worst verdict my parents could lower upon my head was the dreaded, “We’re very disappointed in you.” Crushing, positively crushing.

So, you’ll understand when I say: I hate disappointing people.

I bring this up because, somewhere in the past week or so, this blog passed 400 subscribers and, frankly, I expect some of you are disappointed. Like the sports guy who decided to follow this blog after my recent Superbowl-related post. Or the “community of web developers” who signed up after my latest rant against the Agile methodology. While I appreciate the vote of confidence these readers bestowed, I know that not too many of my posts are going to be in their bailiwick.

I know for a fact that 400 subscribers are not reading every post, but that’s to be expected. We are absolutely inundated with material these days–television, movies, books, magazines, articles, web-posts, blogs–much more than we can possibly ingest, and thus, choices must be made. Still, I enjoy knowing that my writing has affected 400 people strongly enough that they took the time to stop, read, evaluate, and click “Follow.”

Four hundred may not sound like a lot–a friend of mine has over 14,000 followers on Twitter. Fourteen thousand. That’s about half the population of the town where I grew up.–but 400 is a sizable number for me. I don’t market myself well (or at all). I don’t try to be controversial, and I usually eschew topics that may be overly political. As a result, 400 is a good number, as it has outpaced every other venue (Facebook, Twitter, etc.).

For those of you who have read this far, I really do appreciate it. For those of you who read regularly, my humble gratitude. Every Like, Follow, and Comment you all leave here represents a positive interaction with a reader, and for them all, I thank you most sincerely. They mean a lot.

So, once again, here’s a poll for you to tell me what it is you want to read here. I’ve opened it up for you to add your own choices, should there be a specific topic you want to see me address.

Thanks again,

k

Yes? I'm Listening.

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Midnight Drear

PiazzaMy brain writhes through dark hours

Sheds dreams like snakeskin

Leaves papered husks of unrealized wishes

Draped across the curtain rod

Rustling in the open-windowed breeze

 

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ND Author Services

Since the day Gutenberg pulled the first sheet off his press, we’ve been told “Don’t judge a book by its cover,” and for just about as long, we’ve done precisely that. It isn’t fair, but we do judge books by their cover and now, with the Big-Bang-like expansion of the self-published sub-industry, we probably do it even more.

For self-published authors, cover art is a morass of high cost and low quality. If you’re lucky enough to be an expert photo-manipulator, you may be able to create a decent cover, but even so, the costs of stock images and the complexity of rights and royalty limitations can be daunting.

I’ve created covers for some of my own titles. I’ve negotiated with photographers, fussed with fonts, and tried to apply the wisdom I’ve gleaned from those who do it for a living. I’ve had varying levels of success (the art for Unraveling Time and Cryptogenesis are probably my best), but I’ve never truly been satisfied. Still, whenever I’ve looked into contracting a graphic artist to create a cover, the prices have been out of my range, especially for shorter works which don’t have as high an earnings potential.

Enter ND Author Services.

ND Author Services (NDAS) is the publishing arm of the Hendee writing empire. The Hendees, Barb and J.C., are the authors of the best-selling Noble Dead Saga and other great series, and I’ve sent you over to NDAS before, to learn from some of their excellent articles on the business side of writing.

What most people don’t know is that J.C. Hendee is the talent behind most of their short-form covers. While all their long-form work is published by major houses, they self-publish all their shorter tie-in works, and J.C. crafts the covers. A while ago, I had the opportunity to look over J.C.’s shoulder and study how he builds layer upon layer of graphic elements to create his unquestionably high-quality covers. At the time, I could only dream of having cover art that good.

Now, however, we can all benefit from J.C.’s graphical talents, and you won’t believe how affordable it is.

NDAS began offering “pre-made” covers last year, and they now have an impressive gallery of artwork available for licensing. There are dozens and dozens of high-quality cover art on display, all organized into genre-specific categories. Select the artwork you want, and NDAS will customize it for your title, name, and other specifics. Then they’ll reserve that artwork for a year, so other authors can’t use the same piece.

You can license the work for e-book, print, or both, and here’s the kicker: the price for these is $30, $75, and $85, respectively.

Yes. You can get quality cover art for your electronic and printed book, both for only $85.

I know I sound like a shill, but anyone who has looked into hiring a cover artist knows that this is an incredibly low price, especially if you consider the quality of the work. I’ve paid more than that just to get the rights to a single photo to use in my covers.

Don’t see that perfect fit your title? No worries. NDAS offers services to create custom cover work, as well.

Trust me on this: if you are part of the self-publishing world, you really need to check this out. It may very well be the only cover art resource you need.

k

Typewriter

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Stack of BooksI’m still only at about 80% on the health scale–this head cold is a brute–but there’s a definite upward trend, so I figure I can manage one post this week. A dozen topics have risen to the top, only to slip from my focus, except for one. Luckily, it’s a writing topic, so I can indulge myself.

I think it’s fair to say that my writing has evolved over the years. Some of this evolution has been instinctual, which is to be expected from an autodidact like me. Just as I sometimes know that something works without knowing why it works, so do I just sometimes know that something works better without knowing why. Much of the time, though, I am cognizant of the changes in my writing, as they are the result of a conscious shift. Perhaps I’m correcting a bad habit (e.g., an over-reliance on the Rule of Three), or maybe I’m shifting away from one method or style in favor of another.

But then there are the times when a change has been so subtle that I don’t notice it at all. Such is the case with how I deal with antagonists. (more…)

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Stack of BooksI’ve been thinking about “immersion” lately. A lot. It’s infected my daily thoughts, disturbed my reading, and stymied my writing.

If I was searching for someone to blame, I’d have to pick Jefferson Smith and the “Immerse or Die” project he runs over at CreativityHacker, but since it’s been an interesting and illuminating intrusion, I’ll thank him instead.

Immersion is that willing suspension of disbelief a reader brings to each new book. Readers know that the people in my books are not real, and that the events within my pages never really happened. They voluntarily set aside their logical, common-sense disbelief in the truth of my tale as they dive into my books, swim through the worlds and words of my description, and give their hearts to characters I’ve conjured out of nothing but air and brash intention. This is the contract between us, reader and author: they agree to pretend for a time that my stories are real, and I agree not to burst their bubble. It is a trust that I, as author, must handle gently, because when it is breached, it cannot be rebuilt. (more…)

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I have a bone to pick with Horace Engdahl.

Engdahl is a member of the Swedish Academy (the folks who give out the Nobel Prizes) and this month, in an interview with French paper La Croix, he lamented that literature in the West is suffering because writers have become too “professionalized.”

Formerly, he opines, writers used to work as cab drivers, as secretaries, as waiters for a living. The work was difficult, but it fed their literary growth. Now, though, with grants and financial support, writers only have to write which, in Engdahl’s estimation, “cuts the writer off from society and creates an unhealthy link with institutions.”

This, from a guy who’s been a member of such an “institution” (i.e., the Swedish Academy) for nearly two decades, and probably hasn’t driven a taxi or waited tables in his life (he was a secretary for ten years…for the Swedish Academy. A-hem.)

Obviously, Engdahl believes that the only source for “litrachur” in the West is the legions of authors who are living the high-life on their NEA grants and their MacArthur fellowships. Those of us who work for a living outside our writing (i.e., the vast majority of us) are incapable of writing anything lofty enough to catch the notice of anyone of import.

For a laugh, though, try to guess just where Engdahl looks for literature in the East and in Africa. That’s right; he looks among those who work for a living outside their writing (though he worries about the future of their literary stars, too, hoping that the quality of work :will not be lessened by the assimilation and the westernization of these authors.”

I don’t disagree with everything Engdahl says–I see, as he does, a rise in the “faux-transgressive” (my phrase, not his) in Western literature–but by and large, his words really show the exclusionist attitude of the literary world. There’s literature, and then there’s just writing. And nothing written for a paycheck can be worth a literary dime.

I’d say something snarky here, just to vent my spleen, but The Observer’s associate editor, Robert McCrum, put it all too well:

“At face value, these comments are an odd mixture of grumpy old man and Nordic romantic. I’m not sure that the author’s garret is the guarantor of excellence.”

Oh, snap!

k

PS. For an English writeup on the topic, see The Guardian’s article here.

Typewriter

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Stack of BooksLast Saturday, I battled a demon, and emerged triumphant.

Okay, maybe not “triumphant.” But I was able to walk away under my own power.

Last Saturday, the Sumner Arts Commission, in partnership with the Sumner Public Library, hosted a panel of authors on the topic, “Getting it Right,” i.e., the importance of accuracy in historical research.

With me on the panel were three respected authors: Rebecca Morris, co-author of If I Can’t Have You, about the true story of the Susan Powell disappearance; Ned Hayes, who wrote Sinful Folk, a novel set in the 14th century; and Candace Robb (writing also as Emma Campion) author of the Owen Archer mysteries and whose latest novel, A Triple Knot, focuses on Joan of Kent, cousin to King Edward III.

Yes. Three bestselling authors.

And me.

In front of a crowd of people.

Speaking.

(more…)

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