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Posts Tagged ‘publishing’

Kurt R.A. GiambastianiIn my years here on Earth, I have reached for the brass ring many times. Literally.

Spinning ’round the carousel, the calliope loud and manic, I rode a pole-skewered pony, my butt sliding on the polished saddle. With one hand gripping the spiraled pole, I extended my other hand, reaching out into the canvas-covered darkness, reaching, reaching, finger hooked, ready to pull, here it comes, then snatch! and I have the bracelet-sized ring of finger-thick metal. Back in the light, I see that it is not brass, but mere iron, and toss it at the clown face on the wall, the crazed calliope Dopplering as I slew past, positioning myself for another turn, another try, another chance at the brass ring.

The stuff of childhood memories, yes, but a piss-poor business model. Yet, having spent a couple of days exploring the writers’ groups over on LinkedIn, that’s exactly what I’m seeing. Writers, reaching for the brass ring, oblivious to the mechanics of the business they want to enter.

Let me put it this way: Don’t shoot the horse you’re riding. If you intend on self-publishing, be aware of the ramifications.

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Stack of BooksA follow-up to my earlier post about reformatting print-ready files for e-book readers

In case these two points didn’t register in that post, here they are again:

  • Take Your Time…
  • Check Your Work…

I spent many hours over the past couple of days struggling with the files for FC Books II-V. I took my own advice (see above) and carefully and deliberately went through each reformation step, file by file. Then I uploaded the reformatted files and downloaded the KDP-converted files (in MOBI format) Then I previewed each MOBI file, using the Kindle Previewer, taking care to preview each file in each of the possible devices, from Kindle DX to iPad.

What I found was that while everything was fine on Kindle hardware, something was throwing off all the formatting when the MOBI file was ported to the iOS hardware. On iPads and iPhones, all my careful font styles were dropped and the whole shebang popped up in Courier New monospaced font. Ick.

Luckily, I had one file that was working on iOS (FC:I) so it was just a matter of comparing that file to the other files and trying to find the one thing that was causing the KDP conversion software to have a hissy-fit. I don’t know exactly what it was or exactly why, and I won’t bore you with details too tedious to be suffered. Suffice it to say that I was able to create files that work on all devices.

However, I still have not released FC:II-V into the e-book wild. I’m taking even more time, and will upload them all to my Kindle account, so I can see them on a Kindle, an iPad, and an iPhone for myself.

But it brings home my admonitions: Take Your Time and always Check Your Work.

That is all.

k

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As promised, I’ve begun to release the Fallen Cloud Saga in e-book format. And, just as I decided on CreateSpace to be my “publisher,” I’ve decided on the Kindle for my e-book format. The reasons are basically the same as before: ease of use, platform reach of the product, and essential friendliness of the agreement. Amazon’s Kindle Direct Publishing (KDP) website is easy and reliable.

But I just can’t take my print-ready files and use them to build an e-book. Well, okay, I can, but I shouldn’t. Print-ready files are just that: print-ready, not e-book ready. To work best, e-books need to be reformatted; not much, just a little more here, a little less there, but they need it and it’s important to the reading experience.

Fortunately for those of us who are heading into the world of self-publishing, Amazon has given us a primer.

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Kurt R.A. GiambastianiThis article crossed my desk yesterday in which Chuck Wendig lays out in bold, unvarnished terms, just how rotten the publishing industry is. Thankfully, Chuck threw enough humor in there to keep us laughing while we cry.

Chuck hits all the high (aka low) points of the business, like why it’s absolutely insane to try to write to the market, and how unbelievably slow-moving the industry is (glaciers are hares in comparison).

Writerly-types, pay attention to #20, especially the link to Writer Beware. If you haven’t ever heard of Writer Beware, you have now. Go. Learn.

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Stack of BooksPeople have told me that I’m too tough in my critiques. Privately, I’ve been told that these “The View from Here” posts are too harsh, too critical. “New writers will make mistakes,” I’m told. “That’s what editors are for.” Poppycock.

A number of years ago, I used to read slush for a magazine. It was unpaid intern-type-stuff, but it taught me a great deal (as all good unpaid intern-type-stuff should). It taught me about deadlines and time-management. It taught me a lot about publishing, as I was able to see a lot of it from behind the scenes. It taught me the truth of the adage: The only way to make a small fortune in publishing is to start with a large fortune.

But most of all, it taught me to think like an editor.

An editor is like an alcoholic in a 12-step program–Let’s skip right over the joke about how most of them actually are alcoholics in 12-step programs and move right to what I mean by that.–i.e., editors read MSS one page at a time. Screw up on Page One, they’ll never read Page Two. After all, why go farther? Why read any more if page one just sucks? They won’t. Screw up on Page One–hell, screw up in Paragraph One–and you’re done.

So yes, I’m tough. And now, onto the next item I see a lot in some of the fiction posted out there: Bad metaphors and stupid similes.

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Yesterday, several writers I know—professionally- and self-published both—went ballistic at the news: Simon & Schuster Join with Author Solutions to Create Archway Publishing

Why the furor? Why is this such a bad thing? Two reasons.

Reason #1: Conflict with Writer’s Rule #1

Writers Rule #1: Money flows toward the writer.

When you’re self-publishing, this is a hard rule to keep. Remember, though, that when you’re self-publishing, you’re wearing two hats: Writer and Publisher. Money flows toward the Writer, but the Publisher has some up-front costs. But how much up-front cost is too much? Most writers don’t know, are naifs in the wilderness of the writing/publishing ecosystem, and are in general insecure about the whole “business” side of their business. (more…)

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Kurt R.A. GiambastianiBack when I had a writing career, I was given some advice. I was having lunch with my agent and the editor of the Science Fiction Book Club. (My first novel, The Year the Cloud Fell, had been a featured alternate at SFBC.) When the conversation swung around to my work, the editor said, “your books have too much history.” My agent nodded, sagely, as if this was the most obvious thing in the world.

I’m very good at not reacting immediately to bad news. It’s a defense mechanism, really. Treat me with rudeness or disrespect, tell me my dog died, or drop a pithy little bomb like “your books have too much history,” and I shut down. The smile stays up. The amenities and little etiquettes are still observed. Platitudes and small talk continue to be exchanged. “How nice.” “It was a pleasure meeting you.” “Until next time.”

Meanwhile, my inner child is weeping, my reptilian brain has fled for a safe, dark corner, and my intellect has gone all blue-screen on me.

“Too much history”? That’s like telling Mozart his music has “too many notes.”

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