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Posts Tagged ‘Poetry’

Bloedel Reserve, Bainbridge Island, WA

I walk to work
The same hour each day
And make a time-lapse film
Frame by frame
To capture the passing year.

Buildings fall into vacant lots,
Rise from the rubble.
Storms flash overhead.
Cars blur past
Dreary commuters
Taking dreary steps
Toward dreary jobs.

But along the sidewalk,
Sweetgums grow
Tall, stately, serene,
Life in the grey and black canyons.

In winter, they sleep.
I walk wet pavement
Beneath dark, dripping skeletons.

With springtime sun,
Acid green buds
Burst open in an eyeblink
To shake new leaves
In the morning air.

My summer path leads
Beneath crinoline branches,
Silken leaves rustling,
Lazing in the light.

Autumn comes and the sun,
Tired out by long days,
Grows tardy.
The sweetgums sport fall fashions and,
For a few brief frames,
The sunrise and I,
Bleary-eyed,
Collars turned against the season’s chill,
Walk the streets together.

The sky is a purple shell.
The air is still.
The trees are dark,
Their branches garbed in orange and rust.
They do not rustle.
They do not shake.

They sizzle.

Deep within them, hidden by dying leaves,
A thousand starlings wake.
They greet the sunrise with
Gricks and whistles,
Creaks and pips.
I stand smiling
Beneath a thousand chittering mouths,
Listening to
The sound of butter in a hot skillet.

Sizzle. Pop. Hiss. Flutter. Zing.

A few more days,
A few more frames,
And the sun lags behind me.
The sweetgums now are silent,
Branches laden with sleeping birds.
Later still,
Once the trees drop their leafy frocks,
The starlings leave the city to winter’s cold,
And once more I walk alone
Beneath dark and bony boughs.

k

Typewriter

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I walk the wavering limit of sand and sea, the Pacific’s grey serrated edge. The wind, flavored with salt and sun-dried kelp, pushes me, smudging my glasses with briny thumbs. A foam-white gull hunkers down against the wind. It glares at me with a yellow eye, wary but unwilling to move as long as I keep my distance. Plovers weave up and down the sand, dancing with their watery partner, piping and whistling. At my approach, they burst upward in a seething cloud of wings that veers drunkenly along the shore before settling down at a safer distance.

The waves hesitate, gathering their courage, then rush up the sloping shore. The first one covers my feet, the second my ankles, the third, calves. The water shocks with skin-tightening cold, but once the waves caress the sun-kissed sand, they recede with warmth and slip gently out to sea.

It is low tide, the time when the ocean rummages through dark cupboards, searching for trinkets and loose change to toss up on land when the next advance begins. Past offerings make ripples beneath the retreating waves or lie bright in the water-dark sand. Razor clams, splayed wide like nacre butterflies, are brittle and sharp splashes of dark purple or brilliant white. The pale skeletons of sand dollars lie strewn about, all broken, metaphors waiting to be used.

I walk through the dirty, heavy-handed rip current and the calmer, cleaner slack. I feel the tug of the water, sense the shifting sand beneath my feet. I taste both sea and earth on the ceaseless wind.

This is the edge, the limit of the world, the place where both land and ocean end.

Or begin.

k

Typewriter

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Mouse RoadCats have their signs.
The twitching tail.
The flattened ears.
So do I.
Know me?
You’ll see them.
Esteem me?
You’ll heed them.
Else
No fireworks.
No tirades.
No hiss and lashing claws.
Just silence
And the snick of the closing door.
Too late.
Too late.
Call it what you want.
I no longer care.
Cats have their signs.

Typewriter

k

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fur of satin midnight
she is ever
aloof
wary
silent
an island of comportment
her tail-wrapped feet situated primly
at the boundary of our
all-too-human bustle
amber cabochons
blink in the sunshine
observing
studying
from the doorway
from the top step
intrigued but uninvolved
present but apart
until today
when she climbs up
nestles between us
curls in close
a nebulous shadow of rumbling warmth
dozing beneath my hand

 k

Mouse Road

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The Drear

Dark, brooding clouds mock my mood

While I fight my inner black
they replenish the world

Perhaps if I
step out from under the eaves
look up into their steel-grey banks

their cleansing rain will wash the soot from my soul

—

Puget Sound

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Midnight Drear

PiazzaMy brain writhes through dark hours

Sheds dreams like snakeskin

Leaves papered husks of unrealized wishes

Draped across the curtain rod

Rustling in the open-windowed breeze

 

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Lupine Hi-RiseI’ve never really been one who lost things. (Except for gloves. I used to lose gloves all the time.) And I’m especially good about computer files. After once losing the first three chapters of a novel, I got really strict about my file management methods.

So, back in the mid-Naughties, when I “lost” a handful of poems, I was pretty mad at myself. Granted, I had a couple of “vascular events” during that time, brought on by workload and stress, but still, I was disappointed. I mean, how can you “lose” a computer file? Luckily, I was able to recreate most of them from offsite storage, but a few were lost and gone forever.

Then, two days ago, while editing my latest short story, I noticed a folder in my “Writing” directory. The folder was labeled: Poetry.

Guess what I found in there.

Here’s one of them: Non-Euclidean Geometry

k

Chamomile

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