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Posts Tagged ‘novel writing’

We are informed by our experience. A lot of my experience comes from cinema. I am informed by cinema.

Many readers have told me they can “see” the scenes I write, that my style is “cinematic.” I take this as a compliment, as it is something for which I strive. I want the reader to see it in their mind. I won’t provide each hair or feather or leaf in a scene—that would be awful—but I want my words to paint just enough of the picture that the reader has all she needs to move forward and fill in the details she wants.

But I am definitely informed by cinema. Case in point: a scene I just came across during my re-edit of The Spirit of Thunder.  I remember writing the scene, I remember storyboarding it out in my head. I remember knowing exactly what inspired me to construct the sequence as I did.  (more…)

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We have proof!

Yesterday, Brown delivered the proof for FC:I, and once again I was reminded of just how important a hardcopy proof is. For you out there who are thinking about self-publishing a hardcopy book, always get a physical proof copy of the book.

So, how was it?

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Kurt R.A. GiambastianiThere are few classes of words with a worse rep than adverbs. The title of this post, taken from George Meredith’s  The Ordeal of Richard Feverel, is pretty much the gold standard of bad adverb use. Editors hate them; many writers eschew them. I, however, will stand up in their defense.

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This past weekend, I gave myself some time off to enjoy “Borderlands 2” on Xbox, but that doesn’t mean I did nothing, writing-wise. I did a lot, actually…

Friday I finished typesetting the interior of FC:I and started working with the printer. There were two printers in contention for the job: Lulu and CreateSpace. I chose the latter. Here’s why.

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When I decided to publish the new FC books myself, I rather knew what I was getting into. Publishers, for all their flaws, do provide a lot for the writer. I’ve seen it, experienced it, and though I bitched about a lot of it at the time, I surely do miss it now.

Some of the services a publisher provides that are now on my plate: editing, copy-editing, fact-checking, cover art, and typesetting. (And this doesn’t even get into the marketing/distribution side of things.)

It’s that last one, though…typesetting. It’s a bloody mare’s nest of minutia and details. But its importance cannot be understated. I’ve done this before, but it’s always a surprise. (more…)

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Kurt R.A. GiambastianiCounting words used to be important. It also used to be arcane.

As the physically printed word goes slowly out of style, the importance of word count diminishes. When I worked as a head pressman at a small newspaper, word count was king because word count translated to column inches, and you only had so many of those in each issue. Reporters typed up their story, handed it to the typesetter who typed it into a machine the size of a van. Long strips of paper came out the far side which we then painstakingly—and absolutely literally—cut and pasted onto the page mock-up. Word count gave us an idea of how much space each article would use. But it was not a literal count of the words.

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Cover art is here! I’ve also decided that I won’t be going with a hardback version of these books; production costs are too high and the demand is too low. We’ll be putting these out in trade paper and in e-book formats.

Onward!

originally From the Heart of the Storm

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