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Posts Tagged ‘creative writing’

Captive SlavesI’ve never given much credence to results of “studies” on human social patterns. We’re just too complicated to fit into neat little boxes. However, the other day I learned of one such study which so accurately described me, I had to give it a closer look.

I mention this here because this is the sort of thing that can be used to add depth to the histories of families and characters in my writing.

The study was about birth order and the “middle child syndrome.” Now, “birth order” is not new to me; I heard about it a long time ago but never paid it any attention because, frankly, my family situation doesn’t really fit any common form.

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Over on Facebook, a reader mentioned a scene in FC:1 that she really liked. I like to investigate this sort of specific feedback–the good and the bad–to see what worked and what didn’t work for my readers.

I remembered the scene she mentioned in general, but not in detail. The main reason I wanted to investigate, though, was that her description of it as dialogue-free was not my recollection; I remembered it as being chatty to the extreme, as two swoony teenaged girls prattled on about how divine it was going to be to see Sarah Bernhardt on stage. (For those of you out of the 19th-century loop, Sarah Bernhardt was the Lady Gaga of her day.)

So, I pulled down my copy of The Year the Cloud Fell and tried to figure out what this reader had meant when she referred to the scene’s “shared communication and not a scrap of dialogue.

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Stack of BooksNow that’s a first.

A novelist friend was complaining about the names she’d picked for her characters (they’re historical ethnic names, and have several diacritical marks). She was wrapping up a long series with these characters, and was looking forward to never having to write those names again.

I thought that was a good topic for discussion. There are lots of bad choices for character names; some annoy the reader, some annoy the writer. Then, halfway through composing my own post, I searched the web for a reference, and got a hit on my own blog.

Oops…I’d already written a post on the topic of character names (and what not to do).

I suppose it was bound to happen; there are only so many one can broach on the subject of writing. Of course, I’m a good enough writer that I could have taken a new tack on an old topic, but I don’t want to recycle subjects…not yet, anyway.

So, instead of boring you with a slightly different discussion on what makes a bad name, how about boring you with a discussion on what makes a good name?

No? All right. Another time, then. 😉

k

Kurt R.A. Giambastiani

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Last year, I brought to your attention Ripper Street, the BBC  crime drama set in Whitechapel (London) in the years after the Jack the Ripper murders. Last year, the premiere season was showing on BBC America, and I was all atwitter about it.

It’s back for a second season–a good bit of news–but it’s also back in the news.

You see, Ripper Street was canceled at the end of its second season. Even The Guardian was gobsmacked by the news, calling it “Dreadful news for fans of quality drama.”

And I agree. But all is not lost.

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Pine Pollen

In the cold air of evening
Wrens forage on a red-barked tree
Cry here here here

Robins flee from my footstep
Eye me from amid apple blossoms
Coughing rum-rum-rum like old cars in the morning

Juncos steal past below me
Seeking midges mid-air
They leap silently through the gloaming

Sunset breaks the lidded sky
Limns the buds of maples
In the cold air of evening

 

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The PrinceNames are interesting. They are (in general) the one permanent thing about us that someone else has chosen. Our parents, knowing nothing about us, saddle us with these monikers, and we grow up with them. How do they change us? How might we have been different, had we been given a different name? And for those who change their names, why do they change them, what do they change to, and why did they pick the new name?

Perhaps because of this fascination (along with the fact that I have trouble remembering the names of people I meet), names sometimes get stuck in my head. Names like Heiliger Dankgesang and Sandra Day O’Connor will drop into my head from nowhere and stick around for days, like that annoying song stuck in your head.

The other day, it was Yngwie Malmsteen. I mentioned this and was immediately told that the guitarists name was actually Yngwie J. Malmsteen (to distinguish him from all the other Yngwie Malmsteens out there), which led to a discussion of middle initials, which led to the question:

What does the R.A. in Kurt R.A. Giambastiani stand for?

Well, it isn’t rheumatoid arthritis.

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Stack of BooksHe had not wept, not for years, so when he broke, it was as if a mountainside had cracked and slid down, carrying everything–trees, homes, lives–into the valley below. His rage and frustration burst through his controls with a power that surprised everyone, himself most of all.

She was silent, wide-eyed in the face of his despair.

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