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Gossamer WheelIt was May, 1995, a rainy spring in Seattle, when Sir John Gielgud told me—all right, he wasn’t speaking to me personally, but I heard his words as if they were meant for me alone—that there is nothing so remarkable as friendship. For friends, we often do things with no expectation of return.

He imparted this wisdom with a sidelong glance and his sly smile, as if telling me something we both already knew, a common truth upon which everyone agreed.

Except it wasn’t a common truth. Not for me, and I told him so, frankly.

“That’s bullshit.”

He was not pleased.

Sir John stayed on for the next few days, following me from room to room, recounting tales of friendship through the ages. We argued back and forth. He gave me Achilles and Patroclus. I gave him Becket and Henry. To his Adams and Jefferson, I put forth Caesar and Brutus. When he said Hope and Crosby, I said Tupac and Biggie.

But I couldn’t dismiss Sir John’s assertion out of hand—living legends can have that effect—so I continued to ponder his words. Why did he see as basic something that to me seemed so foreign? Naturally, I wanted friendship to be as he described—I expected it, in fact—but life had taught me otherwise. Based on evidence, friendship was transitory, inconstant, and ultimately a source of pain.

We had reached an impasse and sat silently in the living room, he with his paper, me with my book, both of us waiting for inspiration to freshen our debate.

Then the phone rang.

I did not answer it.

I never do.

The little answering machine—all putty-colored plastic and red LEDs—played its spiel to the caller, after which I expected to hear the click and double-tone hum of yet another telemarketer’s denouement. This time, though, from the tinny speaker came a voice from my youth, a woman I hadn’t seen or spoken to in nearly twenty years.

Alice, an old friend from high school, was a fellow survivor of the symphonic and marching bands. A couple years ahead of me, our friendship had never really bridged the upper-classman divide, but we had always been cordial, so I let her ramble on a bit.

She was in Seattle—surprise!—and had heard that I relocated here. She just called to chat and catch up. She nattered on a bit, filling the void as she waited to see if I was merely screening calls or was truly not going to answer. About fifteen seconds in, Sir John cleared his throat. From over his evening edition of the Herald-Tribune he stabbed me with an arched-eyebrow glare, cocked his head toward the phone, and then returned to his perusal of the international news section.

I took his point and picked up the phone just as Alice was preparing to “ring off” (as JG would say, though I hated it when he ended sentences with prepositions; call me old school.)

Alice, I said, and How long has it been? Our first words in two decades were banal clichés that might have come straight from an episode of Room 222 or Marcus Welby, M.D., but we quickly moved past them and on to the “catching up” phase.

As Alice recounted the major events of her post-school-life, I was surprised to find myself smiling, laughing even. Her familiar voice, gravelly and hard-edged, pried open a long-closed, rust-hinged door and together we began inspecting the cobwebbed boxes stored in my memory. Old names flashed across neurons left brittle from disuse, evoking images of black-and-white yearbook smiles. Ancient histories rebuilt themselves, one remembered personality, one nostalgic event at a time. Teachers, friends, rehearsals, concerts, parades; we were awash in recollection and the dreamy-eyed innocence of our once eternal youth.

And then she said the name I’d tried for years to forget, the name that leapt across the chasm of years, stormed the bastions of my brain, and began taking hostages.

“So, have you heard from Elin?”

It is not a common name, Elin, with its long E and short I, and that is fitting. Elin was not a common gal.

Thin, boyish, excruciatingly smart, with long-fingered hands and lanky hair the color of wheat at harvest-time, Elin Abington stood alone in the landscape of my youth, the keystone in an arch of mysteries and betrayals. For the most part, everyone whose life passed close to mine was knowable, sussable, comprehensible. The motivations behind their actions were sometimes obscure, even misguided at times, but eventually I was able to discern the logic that drove their behavior.

Elin, however, was a great unknown, a single riddle orbited by a batch of lesser mysteries.

The fact that we had been close, seemingly inseparable parts of a tight-knit quartet of friends, only deepened the pain.

“You still there?”

“Hm? Yeah. Still here.”

“So, have you heard from her?”

“No. She dropped from sight the February before graduation. Intentionally, it seems.” That was the truth. “I haven’t spoken to her since.” That wasn’t.

Sir John rustled his paper.

“Well,” Alice said, “I saw her brother at my twentieth-year reunion. Nils said she was a lawyer and that she was here living in Seattle. You really haven’t heard from her?”

Even Alice thought it was odd that Elin and I hadn’t kept in contact.

(…continued in Part 2…)

Two Early Results

Monday was a bit of crazy around our house, so we missed the two premieres we were waiting for. To be fair, we were going to miss one of them, anyway, since they were both on at 10PM and I was not staying up until midnite…not on a school night.

But last night, we caught up with both “Castle” and “The Blacklist.”

Warning: there will be some mild spoilers in this post.

Continue Reading »

A Bowl of Red

Simple LivingSomething tells me that Americans have lost touch with what chili really is.

Go down to the supermarket and you’ll find your choice of chili, chili con carne, and the mind-boggling “chili con carne with beans.” All of them are stultifying assaults to any palate and not worth the label of “chili.”

Red–a hearty meat stew–is to my heart and mind the original chili: nothing but meat and chili peppers. Sometimes called “Texas Red,” my version is definitely un-Texan, so I just call it “red,” but it is, at its core, a purist’s chili It has been a standard big-batch-home-cook recipe of mine for years. I usually cook up a big batch, we have a great meal, and then I freeze what’s left in discrete two-person servings that we can pull out at a moment’s notice.

Last night, for the first time, I rolled it out to non-family at a potluck evening, and it got raves all night. Anything that gets that kind of response deserves to be shared.

This red is best served in a bowl, over a hunk of freshly baked cornbread.

Continue Reading »

Emily is GO for Launch

The Revitalization of EmilyWe are live. “The Revitalization of Emily” is live on Amazon, and available for Kindle readers and apps.

Formatting went well, but there’s one new lesson I learned. Fonts that work well on the printed page are often too big for the Kindles. I had a couple of iterations before the headers worked properly.

Overall, though, an easy process.

Some people wonder why I do this on Kindle Direct Publishing (KDP) instead of iBooks or Smashwords or any of the several other venues open to short fiction works. They also wonder why I don’t put it up everywhere, simultaneously.

The main reason is one word: reach. Continue Reading »

Editing Weekend

The Revitalization of EmilyI spent the weekend doing two things: trying to relax, and editing the novelette.

I succeeded in the latter.

Editing went well, both on the story and on the cover art.

Each editing pass revealed fewer errors–reaching zero by the fourth pass–and fewer lines that gave me pause. Eventually, in editing, I like to get to the point where for each possible change, I have to think, play it two or three ways, and then end up with a STET in the margin.

My last pass, I also took special note of the “said” use. They’re still there (despite my earlier efforts), but now each one that is in the story has been considered. If it’s there, I want it there, and I’m happy with that. Continue Reading »

He said, She said

Stack of BooksWe all have our individual quirks of style. Little, verbal quirks. We use a phrase once, like it, use it again, and eventually it becomes habit.

For most people (i.e,. non-authors), this isn’t a problem. A quirky turn of phrase, a tag-line, a preference for the spelling “grey” instead of “gray”–these are not problems for most people.

For writers, though, it can be a problem. Why? Because you can’t see them. And because others can.

Yesterday, I discovered a new one of my own. Continue Reading »

Supervising the Rewrite

Kurt R.A. GiambastianiAs I’ve been working on this story, re-creating it from an older model, I’ve been watching over my work. Supervising, if you will.

Overall, the new version is half-again as long–originally around 8,000 words, it now clocks in at about 12,000–and I wondered if that was just because I added a scene here and there.

So I took the opening section. The action is the same. The first and last lines of the section are the same, like fenceposts. But the rest of it has been entirely rebuilt, rewritten, similar only in structure and in what happens. So, what’s the word-count for each version? Continue Reading »