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Happy 35th 25th

This weekend past, two friends celebrated birthdays. They’re both a good bit younger than I am, but that didn’t bother me. After all, a lot of people are younger than I.

This weekend past was the 25th anniversary of the day the Berlin Wall came down. Yes, a quarter century since the end of the Cold War. But that didn’t bother me, either. It was a good day, full of joy, and easily remembered.

What did bother me was that, this weekend past, Rickie Lee Jones was also celebrating a birthday.

Her 60th birthday.

Wh–wha?

Sorry. Rickie Lee Jones is not 60 years old. Nope. Can’t happen. Can’t be true.

Rickie Lee Jones is twenty-five years old, always has been. Always will be. I refuse to concede the notion that she ages along with the rest of us, even if it means that I am now more than twice her age.

It’s not that I’m an avid RLJ fan. Yes, I do have most everything she’s recorded, but that’s it. I listen, I like, but I don’t “follow” or read up on her projects, her life. Nor do I have a mad crush on her or anything; I don’t, and never have. In fact, it is precisely because these things are not true that she remains unchanged in my mind. Were I to follow her career more closely, I would have been exposed to photos and interviews in which it was apparent that, yes, she’s no longer twenty-five years old.

But I don’t.

And so, RLJ is forever that smoke-filled-saloon-chanteuse, that beret-wearing finger-snapping retro-beatnik I first heard back in the ’70s. Rickie, the queen of slide-singing and the vocal fry, is the sound of my youth reverberating across the decades. Other voices from my past have aged along with me, but not RLJ. Her music continues to make me smile, make me cry; it fills my lungs with youthful air and lifts aged weights from my shoulders. I cannot have her music on in the background, for her voice always creeps forward, steals my attention, and holds me rapt as she sings her bittersweet tales.

So, happy birthday, Ms. Jones. Happy 35th 25th birthday.

k

Kanji character Raku: happiness, music, joy.

Dragons Ahead

Time for specific answers to burning questions. Just what were the WTF moments IoD slapped me with? Are they legitimate?

(If you’ve just joined, here’s where you can find Part 1 and Part 2 of this conversation.)

The book I submitted was Unraveling Time, which I still feel is one of my best books. It does, unfortunately, suffer from having one of the roughest opening sections I’ve ever written. There are reasons the opening is so rough. The reasons do not excuse or justify its roughness, but they may be instructive to any writer rushing toward self-publication.

So below, after some backstory, I will examine the IoD charges, set down my verdicts, and wrap up this series of posts.

Continue Reading »

Dragons Ahead

There are several things that, in younger years, I might have done with such a scathing critique as I received last week from Jefferson Smith’s Immerse or Die report.

(If you’ve just joined, Part 1 of this conversation can be found here.)

Most of these reactions are defensive in nature and, as such, they bring nothing to the table aside from their protective value. As I enter my dotage, I can safely say that one thing I’ know is this:

I can always learn if I want to do so, and I will never learn when I don’t.

And in this case, I want to.

So, here’s what I will not be doing in response to my IoD Smackdown.
(Writers: Pay close attention to Item #4 on the list.) Continue Reading »

Dragons AheadThis post is hard to write. It’s uncomfortable, and not a little embarrassing. No. More than that. It’s bloody humiliating. I debated whether or not I could ignore the situation entirely and pretend as if nothing had happened — Move along. Nothing to see here. — That, however, would have been neither honest nor productive, both of which are planks in the platform I use to run this blog.

And so, this post. Continue Reading »

A blog post has been going around lately, in which Hugh Howey (bestselling author and book industry watcher) attempts to debunk some myths about publishing. Specifically, he addresses the standard tropes that the fast growth of the e-book market is  (a) materially damaging publishers, and (b) decimating the independent bookstore market.

His post (which is a good read) pulls together simple graphics from sources such as The New Republic, Bloomberg, and Harper Collins’ own PowerPoint slides, and lays it out clearly.

  • Publishers are making more money from e-book sales than from hardcover sales.
  • Independent bookstores are thriving in this post-Recession economy.

As evidence of the first item, Howey shows how the profit margins publishers enjoy from e-book sales is nearly twice the margin provided from hardcovers. Publishers’ profits are not on the MSRP of a book of course, but on the wholesale cost of the book. So, in the graphic I’ve linked to on the right, keep in mind that the 41% and 75% profit figures are based on the publisher’s share of the MSRP (which are $13.72 and $10.49, respectively). Continue Reading »

Master Class

Chuck Mangione’s Signature Hat
at the Smithsonian

My first master class was with Chuck Mangione, jazz composer and flugelhorn player par excellence. He came to my school, sat down with a group of student musicians, and attempted to speak to us about music, as a profession, and as a way of life. When it came time for the Q&A portion, one of the participants asked him, “Why the hat?” Chuck always wore a hat. It was his signature, his trademark, his brand. 

His answer, in those days of personal dignity and privacy, was, “Next question,” which was his polite way of saying, “Don’t be a dick.”

I don’t remember much else from that master class, just Chuck, the hat, the question, and “Don’t be a dick.”

Since then, I’ve participated in many other master classes (mostly from musicians), and each time I strove to get as much as I could from the experience. It’s a rare enough event to be able to sit down with a master artist or craftsman and have a conversation. After that first time, I never wanted to waste the opportunity again.

So, last Sunday, when I had the opportunity to learn from Bruce Naftaly, acclaimed master chef and proprietor of Le Gourmand (formerly a restaurant and now a cooking school), I was determined to learn as much as I could… and not to be a dick. Continue Reading »

Letters and Lunchtime

I am a sucker for epistolary movies. Throw in ethnic food and cookery, and you’ll have me on toast points.

The Lunchbox (2013) stars Irffan Khan and Nimrat Kaur, and is the first full-length feature by director Ritesh Batra (who also wrote the screenplay and produced the film). Western movie-goers might recognize Khan from movies such as Life of Pi, Slumdog Millionaire, and The Darjeeling Limited, but most of his work–as almost all his co-star Kaur’s work–has been in Indian cinema.

The story is set in Mumbai, a place of contradictions and juxtapositions between old and new, modern and old-school. Ila (Kaur) is a young housewife who cooks a lunch for her husband every day and sends it to him using the city’s arcane but incredibly efficient lunchbox delivery service. One day, however, the lunch she prepares goes astray, and is delivered instead to Saajan (Khan), a middle-aged widower who works at an insurance office. Ila quickly realizes that her husband didn’t get the lunch she prepared but can see that whoever did get it, enjoyed it, and so in the next day’s lunchbox, she includes a note.

Thus, a correspondence begins, filled with food, secrets, dreams, and hopes.

Continue Reading »