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Two weeks ago, I tried an experiment.

As some of you know, in addition to this blog I have a Facebook page for my writing, which feeds through to my Twitter account. (I don’t like Twitter, but I’m not convinced it’s useless.) Posts here also go to my LinkedIn profile, to Google+, and to Tumblr.

I don’t have too many readers here—hundreds, but not thousands—and membership on my Facebook page is . . . modest, if you catch my drift . . . but I figured that this situation was the perfect foundation for a small experiment.

In short, I ran an ad. Continue Reading »

Hallowe’en.

As stated, I’m not a fan.

Not that I’ve never participated. In decades past, I’ve donned costumes and showed up as Jacob Marley, Cyrano de Bergerac, and Max Klinger, but in general, the Hallowe’en festival leaves me annoyed and out of sorts. There’s little an introvert like me enjoys less than having to sit around on tenterhooks, waiting, while strange children continually pound on the door, begging for candy and costume appreciation, while their parents provide overwatch from the shadows.

Forced social interaction with a built-in judgment factor.

O Joy Unbounded. O Rapture Unexampled. Continue Reading »

#MeToo

The sheer number of women I know who have posted #MeToo is agonizing. Not intellectually. I’ve read the statistics know that, depending on the study, anywhere from 75% (EEOC) to 90% (Harvard) of women have suffered sexual harassment, or worse. I’ve heard many stories, too, from my wife, my sisters, my friends, so I know that it happens. A lot.

But until my newsfeed was filled with #MeToo posts, until so many of the women I know opened up and gave witness to their harassment, abuse, and assaults, I don’t think I truly felt it.

I do now. I sure as hell feel it now. Continue Reading »

Putting Pen to Paper

Going back over early notes for this novel, I realized that this project has been rattling around in my head for over a decade.

The first outline I wrote up has a note on the top: Tabled Jan 2004.

Initially, this was very depressing. Continue Reading »

I walk through the gloaming, the sky above me reddening toward night, through shade made deeper by dark, shaggy cedars and pale clad lindens shaking in the gentle breeze. It is a new place for me, but it is an ancient place, a storied place that still bears its ancient name:

Leyktud

Red Paint

The water of the spring seeps up from the ground, the source now collared by a ring of stone. Within the ring, the water is clear, but beneath the surface the stones are clad in the ochre velvet of accreted minerals. As the water gathers and flows quietly out the carved channel, the minerals oxidize, rusting, and paint the ground with a spill of red clay. The alluvial mud is slick to the touch, watery. For millennia, the People of the Inside and the People of the Large Lake came here to collect the wet, red earth, mix it with tallow, and make a bright, orange-red paint suitable for ceremonies and markings.

The springwater trickles down the slope to join the creek that used to run down to Green Lake but which now, sadly, has been capped and diverted to a less salubrious destination. But for a short distance, as I walk the paths beneath the trees, it is still wild (in its gentle way) and free.

I imagine it how it was, not so long ago, before the arrival of the Bostons (as the European-bred settlers were known). I can see thick-boled conifers, dark cathedral columns rising from the earth’s heart to hold up the red, sunset sky. Salal leaves, rough and leathery, grab at my shins, urging me to partake of their sweet, blue fruit. The breeze, wending its way past branch and fern, might taste of woodsmoke from a nearby camp. Frogs chorus in such numbers that, were I with a companion, we would not be able to hear each other speak.

But we would not speak, for this is a place where words are unnecessary, where the thoughts of men are unneeded, and where our hand only diminishes what already is. As the sun sets and the birds of daylight sing their last, I know I have found an immortal place.

This is Licton Spring.

k

The End of Research

Fish or cut bait. Poop or get off the pot. Split wood or lend someone the axe.

During the run-up to a novel project, there comes a time when I must put down the books and pick up the pen. My problem, though, has usually been knowing when I’ve reached that point, that moment of sufficiency when, though I certainly don’t know everything about the pertinent subjects, I know enough to get started.

Now is that time. Continue Reading »

Recharging Station

This morning, the ocean threw a brick at me. 

My wife and I are out at the coast for a few days (we’re working things out, which is Very Good News) and, as is my wont when at the seaside, I got up early(ish) . . . earlier than she, anyway . . . and went for a walk along the shore.

Most people, when they walk along the seashore, do it in one of two ways: either they walk up along the high tide limit where the sand is still hard (but they won’t get their feet wet), or they walk down along the wave limit (where the occasional seventh wave might submerge them up to the ankles).

Yeah, that’s not me. I grew up on the Pacific coast, and the Big Blue is a critical actor in my emotional life. It’s where I go to purge my buffers and reevaluate the importance of things. Sitting on the edge of the world, glass of wine close at hand, I can look out along the curvature of the earth and watch the sun sink into the quicksilver sea; this is my heaven, my Fortress of Solitude, my recharging station. But walking along the water’s edge and not being in contact with the sea? . . . Yeah, not an option.

When I walk along the shoreline, I walk that gantlet between surf and shore. I’m always barefoot, and the water is always rushing in or flowing out around me. Sometimes this puts me knee-deep in some very cold water, but after the first five minutes, my feet don’t care anymore. They’ll complain loudly later, but for now, numbed by the northern Pacific’s chilly grasp, they’re quiet.

This morning, the colors of the water ranged (appropriately enough) from aquamarine and pale jade to cobalt blue, the deepest teal, and a series of greys from gunmetal to steel. Foam topped the curling waves and washed in on gentle rollers, highlighting the crests with white, ivory, and an algal yellow. 

At one end of my walk along this section of the coast, in addition to long stretches of soft sand, there are outcrops of rocks, half-drowned at low tide, that add interest to the seascape. I walked among them, thigh-deep in the rushing grottoes, smelling the funk of barnacles and anemones warming in the early sun. Seagulls pried at the shells, hoping to find a loose one among the tightly packed multitudes, and plovers poked thin beaks between the stands, searching for worms and other digestibles. The scents of salt and seaweed mingled with the iron smell of sand and the tang of carbonate. It was . . . luscious. I felt at home. I felt at peace. I felt whole.

At the other end of my walk was the D River, the shortest river in the world (running from Devil’s Lake to the Pacific in just under 124 feet at high tide). I stood in the debouchment, where river meets the sea, and silently marked the pendulum of wave and outflow with the words “Fresh water. Salt water. Fresh water. Salt water.” as the river and the sea pulsed to and fro around my feet.

But it was midway along my trek that the Pacific got stroppy. I was walking through a rip, where the curve of the shore focuses the waves and forms a strong seiche of power. The sea pulled back her skirts to show me a graveled bed of pebbles and shells, and then launched a wall of water in my direction. Beneath that lunging froth I glimpsed a flash of red, a sizable chunk, tossed and tumbling in the clear salt sea, coming right at my shin. I stopped and saw that it was a brick, a full-sized everyday brick, red as a brick, hard as a brick, with clean sharp edges. It rolled past my foot, missing me.

Where the hell did it come from? There were no brick buildings I could see along the miles of shoreline I’d walked. The Pacific was adept at throwing pebbles up on the shore here, stones perfect for skipping across a placid lake, bits and pieces broken off from the outcrops I’d visited, but nothing the size of a mason’s brick. Nothing even half that size.

Was it personal? Was the Pacific angry with me? Had I been away from it for too long?

It’s tempting to think these things, to assign reason to an event that is completely random, but that is folly. The truth is that the Pacific, mother of my youth, heart of my soul, is just a body of salty water that has no mind, no intellect, no will, no reasoned purpose. She—and I continue to call her “she”—cannot even recognize my existence. She cannot sense anything.

I know this. 

Yet, I still love this ocean, this birthplace of what I call “me,” and I will still talk to her as I walk her shores, ask her what I should do, and, depending on her mood, I will hear the answers in the murmur or the roar of her waves.

k