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El Orance

I’ve seen Lawrence of Arabia many, many times—it’s one of my all-time favorite films—but last night it was like the first time, all over again.

Last night, I went to the 50th anniversary celebration of the film’s 1962 release, put on by Fathom Events. This was a one-night-only, cross-country showing of the newly-restored version of the classic, and all I can say about it is…wow!

Seriously, this was like a whole new movie. Completely restored, digitally scanned from original color negatives, processed and projected in 4k, this was a stunning upgrade to the movie. The depth of color, the depth of focus, the details that were all just so amazingly clear, worked together to make an immersive experience. You could see grains of sand, camel chin-whiskers. You could hear the creak of rope and the jangle of harnesses. You could see clearly the foreground actors and the wadi rim, miles distant. It was beautiful.

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Release the Hounds

Yesterday, the second proof for The Year the Cloud Fell (2nd Edition) arrived from CreateSpace, and it was easy to see that the revisions I made were warranted.

The smaller font size and the wider margins make all the difference in the “feel” of the text on the page. Bookman Old Style still has that open, hot-lead, typeset look in 11pt, and the extra white space to top and side actually make the smaller font look less cramped. It’s readable, it feels good in the hand, and it passes all my criteria for a quality product.

It’s ready.

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One Up on Sun Tzu

Obey the Kitty!Gerber Knives can teach Sun Tzu a new stratagem: The ox does not run from one mosquito, but will flee from a swarm.

A couple of weeks ago, I was informed by Amazon that an item I’d purchased was being recalled by the manufacturer. The item was a parang—essentially a heavy machete that I use to lop off branches in the back garden—made by Gerber Knives.  The long blade of the parang, it seems, has a tendency to snap off at the hilt, creating a “risk of injury.”

Hehe…no kidding. Continue Reading »

DIY Greek

Dang. I was hoping to report on my second proof copy of FC:I, but it hasn’t arrived yet. So, to keep up with my “write every weekday” goal, we’ll go somewhere else entirely.

Yoghurt.

Didn’t see that coming, didya?

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Hitting the 30k Wall

Kurt R.A. GiambastianiI know I’m not alone. I am pretty sure most writers suffer from it. It presents itself with many symptoms, but the cause is the same. At some point, we lose confidence. Without warning, we are sure that we can’t write, that everything we write is crap, and everything we’ve ever written is crap.

For me, this condition crops up at regular, predictable intervals. I’ll be writing along, and suddenly it all seems so much dross. The outline sounds stupid, juvenile, uninteresting. The story is just so much blathering. I hate what I’ve written, I’m sure everyone will hate what I’ve written, and I can see no point in continuing.

I’ve hit it. I’ve hit the 30k wall. Continue Reading »

Lightning Mix

We are informed by our experience. A lot of my experience comes from cinema. I am informed by cinema.

Many readers have told me they can “see” the scenes I write, that my style is “cinematic.” I take this as a compliment, as it is something for which I strive. I want the reader to see it in their mind. I won’t provide each hair or feather or leaf in a scene—that would be awful—but I want my words to paint just enough of the picture that the reader has all she needs to move forward and fill in the details she wants.

But I am definitely informed by cinema. Case in point: a scene I just came across during my re-edit of The Spirit of Thunder.  I remember writing the scene, I remember storyboarding it out in my head. I remember knowing exactly what inspired me to construct the sequence as I did.  Continue Reading »

Proof of Life

We have proof!

Yesterday, Brown delivered the proof for FC:I, and once again I was reminded of just how important a hardcopy proof is. For you out there who are thinking about self-publishing a hardcopy book, always get a physical proof copy of the book.

So, how was it?

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