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Archive for the ‘Culture’ Category

Mahonia after rainI drive up the unfamiliar street, looking at the numbers on each house until I find the one we want. I park and we get out of the car. My internal temperature spikes–though it’s August, it isn’t hot, yet the sweat beads on my brow as I retrieve the dishes I made for the pot-luck.

Yesterday, I made quinoa tabbuleh salad and white bean hummus. I picked the cucumbers from my garden, trimmed and minced the spring onions, selected the best sprigs of parsley, mint, and coriander. I whisked the tahini and lemon juice into a cream, blending it with the bean and garlic puree, testing the flavors repeatedly until the profile of earthy/salty/tart was just where I wanted it.

I took extra time and care with each task, not to show off my skills or with the intent to impress, but simply to keep my mind occupied so it wouldn’t be thinking forward to this moment, walking up the steps of a house, preparing to enter foreign territory, about to meet new people. (more…)

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Canterbury PillarsMy life has two major occupations: developing computer software and writing books. Both of them require creativity, discipline, and concentrated effort and thought. They require freedom from interruption and a quiet atmosphere.

Yeah…ain’t gonna happen.

Corporate America and the Agile revolution that has swept up nearly every IT shop in the nation are both completely enamored with the concepts of brainstorming, groupthink, and open office layouts. “Fewer walls! More ideas!” they proclaim.

The problem is, these ideas don’t work. Study after study, we’ve seen these bastions of corporate culture debunked.

  • Brainstorming does not generate more ideas. Creativity is fostered when individuals think separately. Yes, collaboration does have its uses; it can be especially effective when dealing with complex problems, and is an excellent way to debate various solutions and winnow the wheat from the chaff. But this work is best done after individuals sit and think about the problem on their own.
  • Open office floorplans actually detract from productivity. Solitude allows concentrated, focused, uninterrupted work, while open floorplans create a noisy, distraction-filled atmosphere. Employees in a bullpen environment are less happy, have more colds/flus, have higher stress levels, and are more apt to leave the company. More importantly (to the corporate value system), software developers who work in open office environments work slower, and produce lower-grade work.

The studies disproving these long-established myths are decades old, but still Corporate Culture marches toward an ever-more open and generic work environment.

I can’t control what my company does regarding the floorplan for my office. Who am I, after all? I’m just the worker who knows how to do the job, not the suit with the MBA. So, I make do, and find ways to block out the noise and chatter and limit the interruptions.

When I write, I also need solitude. I need my quiet time. I need isolation. I get all Greta Garbo when I’m writing.

Franz Kafka explained it well when he said,

“That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.”

With writing, I have a little more control over my environment, but even in a household of two, it’s sometimes difficult to be “alone enough.”

Thankfully, some of the techniques I use at the office also help at home.

  • Silence the phones
  • Turn on the music or an environmental soundtrack
  • Don’t even try to work in a room where the television is on
  • Work to a schedule that capitalizes on times when others are away, asleep, or busy with quiet tasks

I don’t find quiet time to write. I have to make quiet time.

k

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Video games rarely surprise me. Disappoint me? Often. Surprise me? Rarely.

Journey, a PS3 game from Sony and thatgamecompany, surprised me.

First off, it’s rated E (Everyone) which usually means one of two things: good old-fashioned family fun or cartoon characters and jaunty tunes. This is neither.

The plot of Journey is simple: you are a wanderer in a wasteland, and your goal is to reach the top of a mystical mountain, seen in the distance.

That’s it. See that mountain? Go there.

Simplistic? Yes, but therein lies the beauty of this game. (more…)

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Kurt R.A. GiambastianiI’ve run across a couple of phrases this past week that initially read opposite from their intent.

In an anniversary card, my dad said, “It’s not as easy as you make it seem.” On first reading, I took it to mean that we were making it harder than it should be. A second reading cleared it up, but it was weird that my brain turned it backward.

Yesterday, in a chat conversation, someone said, “If there were more convos like this, I’d be more unreluctant to be online.” Twisted syntax, to be sure, so I don’t blame myself for blinking twice before I was able to winkle the meaning out of this one

But these two instances triggered a memory. I remembered a phrase from a book read years ago.

“I don’t know half of you half as well as I should like, and I like less than half of you half as well as you deserve.”

Good old BIlbo Baggins. What a card.

I read The Hobbit and the LotR trilogy when I was in junior/senior high. I do not know every line of the books and I cannot do a scene-to-chapter comparison between Jackson’s movies and the books as a party trick. Still, a few key phrases from the books have stuck with me over the decades, and this was one.

Bilbo says this line during his speech at his eleventy-first birthday. It’s a wonderfully convoluted sentence–intentionally contorted–and I always took it as Bilbo’s tricksy way to slam his less savory relations while not insulting his friends; sort of a backhanded compliment, as it were. But was I correct? The two instances from this week made me wonder.

So, for the first time ever, I parsed it out.

Taking the two clauses separately, and reducing the “half of you” and “less than half of you” obfuscators, I got two relatively clear sentences

  • I don’t know you half as well as I should like.
  • I like you half as well as you deserve.

I was stunned. All this time I thought Bilbo was putting down his rough-side-of-Hobbiton relations, when in fact he was complimenting them. Yes, there is deprecation built into the sentence but it’s self-deprecation, saying that he hadn’t done enough. Tricksy it may have been, yes, but not snide.

I’m not a LotR fanatic, so I’m not very interested in why Tolkien put this bushel of tangled sentence structure into Bilbo’s mouth at that particular time and then pointed out to the reader just how confusing the statement was to his audience. I’m more interested in why I never before parsed it out myself.

As a high-achieving, low-social-skills youth embedded in AP classes and hours of practicing, rehearsals, and concerts, I know I was pretty damned arrogant. Back then, the thought that I could have misinterpreted a sentence, no matter how tangled, just didn’t compute. I read the line, I interpreted its meaning, I moved onward. But obviously there was the seed of doubt buried deep in my consciousness, or it wouldn’t have sprouted to life this week.

Since my youth, I’ve read a lot of classics, and have been slowly ambling through the syntactical forest of Proust’s magnum opus. I’ve read a lot of convoluted syntax and have no qualms about going back and re-reading a sentence if it didn’t click first time through.

I’m glad to know, at last, what Bilbo really meant. I’m also glad I’ve learned enough not to be so damned arrogant as to consider myself infallible. (Yes, that’s right. If you think I’m arrogant now, you should have met me when I was in my prime. Hoooooo-boy!)

Happy Friday.

Onward,

k

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Stephen King has spoken. Again.

This time, he speaks in an interview in The Atlantic (that reads more like an essay) about a topic not covered in his On Writing memoir: Opening lines.

I hope aspiring writers read all of what he said, instead of picking their favorite sound bite.

It’s not that the first line of a book isn’t important–it is–and King discusses what a good opening line can bring to the party. On the other hand, he admits he’s not always done well with them, and stresses (waaay at the end) that an opening line won’t make or break a novel. If the story sucks, a good opener won’t save it.

The discussion prompted me to go back and look at the opening lines from my novels. How well did I do? I wondered. Let’s see.

(more…)

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Stack of BooksThis week I came across two articles for writers that I thought I’d pass along.

The first article comes from my friends over at The Noble Dead website. Barb and J.C. Hendee are bestselling authors with nearly a score of books to their collective credit. J.C. is also their webmaster, and trust me, he knows his stuff. (more…)

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Gossamer WheelPeople used to send flowers.

My mother died when I was five, so my memories of the house at that time are sketchy and incomplete. I remember with clarity that awful day when I learned the news, a congregation of black in our kitchen and living room, and the nightmares that tormented me through the following months. The house was likely filled with flowers, but I do not recall them.

Since that time, the sending of flowers has fallen out of favor. Death announcements now direct us to send contributions “in lieu of flowers.” How ironic that the “Flower Power” generation has turned this expression of sympathy and grief into a faux pas. (more…)

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