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Beneath a Wounded SkyIt’s always a thrill when other bloggers find enough interest in this blog to tag me in a post or give a nod for a blog-award. It’s gratifying to know that I’m not only reaching people, but doing so with value. And so I was pleased when Jon over at Jumping from Cliffs tagged me in The Next Big Thing Blog Hop.

TNBT asks a writer ten questions about their newest or upcoming work, and then hops on over to other writer’s blogs. These games of virtual tag are always fun because there’s always one or two questions in the stack that catch me off guard.

So first, the questions, and at the end, my five “tag-ees.”

What is the working title of your book?
My most recent book is Beneath a Wounded Sky, Book V in the Fallen Cloud Saga. My shorthand for it is FC:V.

What genre does your book fall under?
The closest genre for the FC books is Alternate History, but the hardline Alt-Hist fans will disagree. As with most of my books, it blends genres, and while it’s mostly alt-hist, it also has fantasy and spiritual elements.

What is the one sentence synopsis of your book?
I shall try…

The Fallen Cloud Saga comes to a close as George Custer, Jr. rides with the Cheyenne Alliance to join forces from the Spanish Crown; together, they face George’s father, President Custer, Sr., and his American army, but their plans conflict with the vision seen by Speaks While Leaving, the Cheyenne seeress and guide.

How dat?

Where did you get the idea for your book?
The idea for the series started when I read The Great Dinosaur Extinction Controversy, by Officer and Page. That got me thinking about how dinosaurs might have survived into the common era (if North America’s inland sea had not receded). That got me thinking about how they might have adapted (smaller size) and what niches they might have filled (perhaps filling the niche that was filled by the Spanish horses). And that got me thinking about how life for the Plains Indians might have been different if, when the Spaniards arrived, the native peoples were already riding these smaller, horse-analogues. And that led me to wonder, “What would have happened if Custer didn’t die at the Little Big Horn?”

Who or what inspired you to write this book?
This last book was inspired by the devotees of the first four books in the Fallen Cloud Saga. When the publisher dropped the series on book four-out-of-five, I was crushed and the fans of the series were orphaned. Then I had some health problems and had to get that in hand, but it took a long time, and I wasn’t sure if I was ever going to write another book.

But the readers, they just loved those books. They sent letters, sent emails, posted on Facebook, made paintings of the characters. And they kept posting, year after year. They were never many in number (if they had been, the publisher would have jumped at FC:V), but they were so enamored of the books, the characters, the World of the Fallen Cloud. Their sincere wishes and gentle encouragement eventually got me back on track and got me writing again.

How long did it take you to write the first draft of your manuscript?
The first books in the FC Saga I wrote quickly; each one took me 9 months to a year at most (I write longhand, with pen and paper.) For FC:V, though, this last book, I had several failed starts. All told, it took me about four years from Page One to final End, but that wasn’t constant writing. Once I finally got the gears working again, it went quickly, but total writing time was probably about two years.

What other books would you compare this story with in your genre?
Since my book is a blend of genres, it’s hard to find a comparison within the major heading of “Alternate History.” However, I’m not the only one who’s pushed the edge of the definition envelope in alt-hist. Orson Scott Card’s “Tales of Alvin Maker” series also blends history and magic, realism with spiritualism, all in a North American setting, so as far as those elements go, it’s a pretty close match. The stories are nothing alike, but the world and even our writing styles have similarities.

Which actors would you choose to play your characters in a movie rendition?
Hehehe…Of course, Sandra Bullock would have to be cast as someone, just so I could meet her… But seriously…

I’ve never envisioned anyone in any of the character roles. I could name a handful of talented First Nations and Native American actors–Wes Studi as Limps, Irene Bedard as Speaks While Leaving, and I would have loved to see the late Will Sampson as one of my chiefs–but most names are not familiar to most movie goers. I’ve thought that in a few years Matthew McConaughey might work as my elder Custer (he wasn’t the fool you probably think he was). And I think Giovanni Ribisi could make a most memorable Vincent D’Avignon.

Will your book be self-published or represented by an agency?
It is impossible to get an agent or a major publisher interested in the fifth book of a series that another publisher dropped. It is almost as impossible to get a small-press or e-publisher interested in it. I tried, for a while, but no one likes leftovers.

But I felt strongly enough about this book, about completing this long, epic story for myself and for the readers, that I decided to go ahead and self-publish. This was not going to be a money-making or career-breakout novel, though. The goal was to make it available for those fans of the series, and if I got a few new readers along the way, that’d be grand. It is a really good series, and the reviews of the fifth book have all been glowing.

What else about your book might pique your reader’s interest?
You might see the premise “Indians Riding Dinosaurs” and think the series was for kids, full of adventure and Western tropes, but it isn’t. While the setting might be fantastical, the characters are not, nor are the troubles they face. The conflicts are so much more than just cowboys and Indians, white man against red. They are the conflicts of oppression, and of a nation’s conscience in the face of a great and long-accepted wrong. They are conflicts of two lovers torn apart by politics. They are the conflicts felt by the sons of famous fathers, and by the fathers of precocious sons. Men and women, loves and hates, friendships and betrayals, allies and enemies, all are here, all are within these books. If you’re still on the fence, check out Chapter One.

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And now, please leapfrog from here over to some writers that I follow:

All very different from one another; all worth the look.

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Stack of BooksI was young, with a penchant for obsession. I studied musical performance and conducting, and ran with a cadre of like-minded scholars. I was a science-fiction/fantasy geek, and so were they. It was fated, then, that when the first Star Wars movie came out, we would band together for trips to The City. Week after week we would ride down Geary, invade The Coronet theater, outmaneuver all comers, and claim the eight seats at first-row-center. There, practically vibrating with anticipation, we would wait, hands poised, ready for the downbeat. Together, we would conduct the entire score (long ago committed to memory), cueing the chords of the Death Star leitmotif, pulling in horns and strings as we swept up to light-speed. It was grand. It was intoxicating.

Until Harrison Ford tried to get his mouth around the line, “Marching into the Detention Center is not my idea of fun.”

A lighthearted line, to be sure, but one that brought sniggers George Lucas did not expect. I mean, Harrison practically had to spit out his teeth to deliver that line. How did it ever make it through the table-read? What was that writer thinking?

Now, having cut my own writing chops, I know exactly what that writer was thinking.  He wasn’t.

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Over the New Year’s Day holiday, we screened a bunch of movies. There were a couple “meh” movies, but also several I liked (and I’m pretty hard to please), so it was a good movie-weekend for us. But of the ones I liked, two stood out and demanded specific mention for their “writerly” content.

The Words,” is one of those films that crops up every few years, where the main character is a writer. “Stranger than Fiction” (brilliant, btw), “The Ghost Writer,” and “The Wonder Boys” spring to mind as standout Writer-cum-Main-Character movies of the last dozen years, and I’ll put “The Words” right up there with them, but I’ll go even further. “The Words” is the only one I’ll buy on DVD so I can watch it again.

Why? Because this movie is more than just a movie where the main character happens to be a writer. It’s more than a movie filled with the angst-steeped maunderings of a man who can’t seem to put pen to paper. This is a movie about the ethics of writing.

Watch the trailer and you’ll see the setup: Rory is a young, struggling writer who happens across an old manuscript, reads it, loves it, and submits it as his own work. Later, the real author of the book appears, and thence comes our conflict.

Well, the good thing about this movie is that the trailer is lying to us. The conflict actually begins well before that, and rightly so. Why does Rory put forth this book he found as his own? How does that act affect him? How does it affect his world, his wife, his life? When Rory finally meets up with the real author of the book, the conflict is well underway, and things definitely do not get better.

What I liked best about this movie though, was the way it developed the characters (all of them), their history (seamlessly inserted into the narrative), and built onward to what I thought was a truly believable, adult ending and denouement. The movie is structurally complex but this structure is (in the final analysis) comprehensible and, more importantly, necessary to the fullness of the story. This is a movie that, on second and third screenings, will provide greater depth and detail.

The second movie I thought had a definite “writerly” slant was one I selected on a lark. As most of you know, I am a Browncoat, a Joss Whedon admirer, and a genuine fan of “Firefly.” So, when I learned that Joss’s production company had come out with a movie (albeit not of his direction), I looked for it.

The Cabin in the Woods” is, on first glance, another of those ultra-violent horrors filled with dumb teenagers and sadistic monsters. I am definitely not a fan of the slasher/dead-teenager movie, but I’ve seen enough of them to know the formula, and my reaction was, “Seriously, Joss?” But then I read the blurb and I was hooked.

What we have here is a beautiful deconstruction of the genre. This movie takes every complaint you’ve ever had about the genre, takes every moment of predictable stupidity that made you yell at the screen, and takes every built-in senseless implausibility these movies provide and wraps them all up in a larger, even more implausible explanation. It’s both a send-up and love letter to a genre that’s had its share of both, but this one is done with true ingenuity, wicked humor, and the sharp, semi-self-aware writing that only Joss Whedon can provide. And, as a writer, I enjoyed seeing it pick apart each and every detail of the Dead Teenager Movie formula and prop them all back up again.

In short, I loved this movie, from the opening shot to the big reveal at the end. It was respectful of its audience and hilarious to boot.

k

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Obey the Kitty!

Obey the Kitty!

As of the first, my inbox and this blog have been inundated by new spam. Whereas before this blog used to get only 2-4 spam posts per day, now it gets 2-4 dozen spam posts per day.

And is it a requirement that a spam post must include misspellings and grammatical errors? I mean, if you’re going to go to the trouble of putting meaningful text in your spam, why not write it correctly. Have some pride, people!

However, as a result, if you’ve made a comment and it disappears, my sincere apologies; please send me a note and we’ll work to fix it. I want to see the comments from ALL of you–comments close the loop and let me know if what I’m posting is making sense.

Moving forward with my “The View from Here” posts, I’m not going to put these up daily. First, they take more thought to prepare than rants like this, and second, I want to give us time to discuss one topic thoroughly before moving on to the next.

So, for now, I’m going to be glad it’s Friday, I’m going to enjoy the absolutely dreary weather Seattle offers me today, I’m going to make some notes anent my recent trip to California, and I’m going to water my orchids.

And yes, I just used the word “anent” in a sentence. Try it. It’s fun!

k

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Stack of BooksI hear you already. “Not that old chestnut!” Sorry. Sad, but true: “Show, Don’t Tell” is one of the most common of errors I’ve seen in the past couple of weeks prowling the new-writer-blogosphere, and sometimes the errors are simply egregious.

First off, let me say that I believe it is damned near impossible to “show” everything in a story. I mean, come on; you have to take a short-cut through a description now and again. I also think it’s unnecessary to “show” everything. And, to round out the argument against, there really aren’t any “rules” in fiction…or at least there aren’t any rules you can’t break now and again. As always, know when you break a rule, and do it for a reason.

As promised, I’m going to pick examples of these errors from my own stories, posted here on this site. Some of these stories are my very first efforts, so finding errors in them usually isn’t hard, but “Show, Don’t Tell” is a mantra that was drilled into me early on in workshops and from editors, so I had to root about a bit to find these offenders. Every story has spots where I need to move things along and not gum up the momentum with a fully descriptive flashback. A memory here, a wondering thought there, these might be difficult to “show” thoroughly. So, even if you find this sort of thing in your own work, the errors may not be big enough to warrant a rewrite; fixing them might alter the flow of the tale.

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01Jan13

Your voice is dim

Your words break up

As if your call

Is from years past

And not across

Mere miles

k

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Kurt R.A. GiambastianiOne day my mother came home with a slogan from her workplace. “Lower Your Expectations,” it read. Not really the gung-ho mentality of today but hey, it was the ’70s. Anyway, my father saw it, found it somewhat ludicrous, and came back with the flip side: “Up Your Aspirations!” He even had it printed up on a t-shirt.

This probably tells you more about my father than it does my mother.

The point of this (and I have one) is that, as writers, we must manage both our expectations and our aspirations. This came home to because my wife has recently begun to ply her hand at writing, and tonight we had a discussion about what aspirations she might have, as a writer. Sensibly (I thought) she said that, at this point, she doesn’t have aspirations of writing for a living or even for profit. Right now she just wants to play with it and to learn how to be a better writer. I know I’ve harped on this before, but I believe it’s important; writing is a lonely business, and publishing is a cutthroat business. Writing for profit ain’t for the faint.

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