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Archive for the ‘Writing’ Category

Kurt R.A. GiambastianiWhat do readers really want?

We’ve been discussing this topic over on some FB threads. The complaint (from writers) is about what readers do not seem to want, i.e., originality. Or at least, they don’t want too much originality.

This isn’t meant as a diss or a put-down. It’s something that’s endemic to many entertainment industries (and do not doubt that publishing is an entertainment industry). Publishers want a sure thing to put their money behind, and readers want a sure thing for their hard-earned cash. Totally understandable.

Readers want something similar to what they already know they like, but they don’t want a complete re-hash of an old story. They want their tropes, their memes, but they also want a new spin, or perhaps a new element. Some genres are extremely hide-bound (detective novels and rom-com movies, for example), while others are more open to “variations on a theme” (e.g., steampunk).  (more…)

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A friend of mine, Barb Hendee, is half of that incredible tag-team author-pair that has brought you The Noble Dead Saga and many other novels and series.

Well, Barb has a blog, and she often posts articles of a writerly nature. While all of her articles are good, her most recent article made me choke on my coffee and laugh out loud.

For the uninitiated, it’s as easy to suppose that all published authors are fabulously wealthy as it is to assume we have total control over the publication of our books. Hardcover or softcover? Price point? Cover art?

None of these are within an author’s control, once you sign that contract. I’ve even had the title of some books changed without either my consultation or assent. Go ahead. Try to guess which ones.

Meanwhile, go check out Barb’s article on the topic.

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Stack of BooksMy wife and I take walks around Seattle’s Green Lake. It’s one of the best parks in the city, and it’s beautiful at any time of the year. It’s a nice 3+ mile circuit, during which we’d talk about many things, quite often about my writing. My wife (my First Reader) is a great sounding-board for plot ideas, plot problems, character development ideas, etc.

When I sold my first book, our walks had a new topic: which of these lakefront houses would we buy when the money started rolling in?

It’s true. I so firmly believed in the future success of my books and my career as a writer that I was eyeing million-dollar properties. So, what the hell happened? Why didn’t Oprah’s Secret kick in? (more…)

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Back in my “The View from Here” series, I addressed one common problem I called “Wiggle Words.” I cannot now remember where I came up with the phrase–perhaps I made it up; I’ve been known to invent a thing or two on my own–but I absolutely remember where I first encountered the concept.

Ken Rand’s The 10% Solution is one of the best how-to-write books on my shelf. It is short, clear, and has more bang-for-buck within its covers than most books 4 times its length. Ken has had a long career in fiction and non-fiction both, from novels and short stories to ad-copy, news reports, and PR work. In brief: Ken knows writing.

And this book is pure gold. I first read it about fifteen years ago, and I came away from it with two major lessons under my belt. (more…)

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Aeons ago, when newspapers were printed on paper and was a young Bay Area boy, I used to open up the San Francisco Chronicle and read Herb Caen’s column.

Yes. I was an odd little boy.

I remember one column in particular, in which Herb talked about one of the local Chinese restaurants playing softball against the SFPD in a charity event. The restaurant had t-shirts printed up for its team players. On the shirts were some characters in Chinese script. When Herb asked them what the Chinese words meant, he was told they translated as “No effing butter!”

Though this went straight over my little pre-teen head (on several levels), I was still smart enough to recognize a punch line when I read one. So I showed it to my dad.

“What does ‘effing’ mean?” (more…)

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Kurt R.A. GiambastianiIn my years here on Earth, I have reached for the brass ring many times. Literally.

Spinning ’round the carousel, the calliope loud and manic, I rode a pole-skewered pony, my butt sliding on the polished saddle. With one hand gripping the spiraled pole, I extended my other hand, reaching out into the canvas-covered darkness, reaching, reaching, finger hooked, ready to pull, here it comes, then snatch! and I have the bracelet-sized ring of finger-thick metal. Back in the light, I see that it is not brass, but mere iron, and toss it at the clown face on the wall, the crazed calliope Dopplering as I slew past, positioning myself for another turn, another try, another chance at the brass ring.

The stuff of childhood memories, yes, but a piss-poor business model. Yet, having spent a couple of days exploring the writers’ groups over on LinkedIn, that’s exactly what I’m seeing. Writers, reaching for the brass ring, oblivious to the mechanics of the business they want to enter.

Let me put it this way: Don’t shoot the horse you’re riding. If you intend on self-publishing, be aware of the ramifications.

(more…)

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In prep for my next book project, I’m reading some authors whose styles I want to understand better. The first author on my list was Alice Hoffman, and my second is Julio Cortázar.

I turned to Cortázar primarily because of one story I read many years ago. “Axolotl” was a story of such unusual structure and style that it has stuck with me for decades, after only a single reading. This alone is enough do draw me back to it, in this preliminary phase, but its structure also has something I’ve been thinking about for the structure of my next book: shifting POV.

Cortázar’s prose and style is impossible to nail down. Each story in this so different from the others. At times, I thought I found an overarching method, only to find something radically different in the next story. If there is anything that does pertain to all of Cortázar’s stories here, it is density. And by density, I don’t mean that his prose is opaque and hard to understand. To the contrary, his prose is clear, but full of detail, full of depth, and (harkening back to my one recent revelation) full of history and backstory. (more…)

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