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Archive for the ‘Writing’ Category

I see a silver-lit night, full moon struggling to pierce slate-colored clouds. I see a ghostly crag, pale rocks rising above a dark, heathered moor. I see a woman in blue standing at its summit, bare feet on bare stone, hair loose, arms wide, waiting.

The clouds marshal their forces, focus their power. Winds rise, rumbling forward, and rain comes down in icy sheets. The storm builds, advancing on the crag.

She stands tall and closes her eyes, her nostrils scenting the moss and granite beneath her feet, and the wind-swept tang of a miles-off sea.

Glassy whips lash the sky. The storm clenches its fist. Heather bows beneath its blasted screams.

The woman turns, facing the storm as it thunders toward her on lightning limbs. She tilts back her head, bares her throat.

The wind belches a roaring laugh, sprinting toward its prey.

With a smile and fulsome intent she grabs the wind, bends its trajectory, twisting its path, coiling it around her summit. She reels it in, pulling it to her. She breathes it in, breathes in its power. Her eyes flash open and she sees the swirling clouds above, the vortex of her control. The wind is within her now, part of her. The wind’s laugh is now her laugh.

This is not a victory, the wind not a vanquished enemy. This is a joining, a strengthening, a fusion.

She and the storm are one.

Now, she is power. Now, she is strength.

Now, she is the storm.

La Push

 

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Le crayon rougeI’ll update you on my cable-cutting process soon, but for this week, here’s a look into the things that keep me up at night. Literally. This is the type of shite that makes my brain whirl like a dervish when it wakes me up at 4AM.

There’s a language construct that has bothered me for a long time. It’s the “negative question.” It’s like the question in the title of this post or, as found in the large portion of my viewing and reading intake that includes British and “period” drama, it’s often tacked on to the end of a sentence, as in, “She is a handsome woman, wouldn’t you say?”

In general, I don’t have a problem with negative inquiries.

Unless, of course, I have to answer them. (more…)

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Femme VoiléeI did not wind the clocks this month. They tick down to silence, measuring out the year’s last hours with ponderous chimes.

This New Year’s Eve, the house will be quiet.

No television. No dropping ball. No music. No crowds.

No friends. No crackling fire. No pop of effervescent wine. No clink of crystal. Not even the ticking of a clock.

All will be silent, and I will sit on the stoop in the frost-rimed dark beneath the moonless sky and will wait.

Listening.

I want to hear it, you see, and want no other sound to interfere.

I want to hear this obscene alliance of Time and Death, this year that has gorged itself on family, friends, and icons, that has snuffed out lights of culture, killed dreams, thwarted hope, I want to hear it die.

As it lays before me, I will kneel at its side. I will lean into its abattoir scent, my ear close to its gasping mouth. I will hear as it exhales its final breath into the void.

And if it does not come, if at that silent stroke of twelve this baleful year somehow breathes on, then as I ring in the New Year, I shall wring out the old, my hands around its throat.

This year shall end, if I have to do it myself.

k

Typewriter

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My life and my brain have calmed enough that, for the first time in a long time, I was able to finish reading a book. I’d picked up a dozen or so in the last year, but either they were uninteresting (a lot of titles about adolescent angst…what’s up with that?) or I found them annoying (like this one). After so many failed attempts among the offerings of current fiction, I decided to try something that wasn’t waiting in my TBR pile.

The question was: What?

Fate intervened, and tossed a title my way. Bang the Drum Slowly is a title I’d been aware of, but never read. I am not a big sports fan — oh, I watch the Seahawks and I enjoy a baseball game, but I don’t follow any of it — so Mark Harris’s book about a mediocre catcher who is diagnosed with Hodgkin’s during a pennant race wasn’t high on my list. But a stray mention of it as a prime example of mid-20th century fiction caught my eye, and I figured, what the hell, give it a chance. It couldn’t be worse than some of the others I’d started this year.

What I found was something I did not expect: a unique voice and structure. Well, unique in my reading experience, anyway.

(more…)

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Beneath a Wounded SkyFour years ago my ninth novel, Beneath a Wounded Sky, hit the shelves. It was the final volume in my Fallen Cloud Saga, and it was a hard book to write for several reasons. The years since then haven’t been kind, and my writing was relegated not to the back seat, but to the way back (those of you who remember tumbling around in the back half of an old-style station wagon will understand).

My writing output for those years was, primarily, this blog and the poems, vignettes, essays, and short stories it contains. Larger projects have consistently fought my control and eluded my grasp. I’ve started one novel several times. I’ve outlined a screenplay. I did a full proposal for a sitcom, worked with the creative team on an indie film, and spent a month or so researching and outlining a biographical novel of a regional sculptor.

None of these attempts got any traction, though. Rather, they just sat in the muddy ditch and spun their wheels.

(more…)

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Bloedel Reserve, Bainbridge Island, WA

I walk to work
The same hour each day
And make a time-lapse film
Frame by frame
To capture the passing year.

Buildings fall into vacant lots,
Rise from the rubble.
Storms flash overhead.
Cars blur past
Dreary commuters
Taking dreary steps
Toward dreary jobs.

But along the sidewalk,
Sweetgums grow
Tall, stately, serene,
Life in the grey and black canyons.

In winter, they sleep.
I walk wet pavement
Beneath dark, dripping skeletons.

With springtime sun,
Acid green buds
Burst open in an eyeblink
To shake new leaves
In the morning air.

My summer path leads
Beneath crinoline branches,
Silken leaves rustling,
Lazing in the light.

Autumn comes and the sun,
Tired out by long days,
Grows tardy.
The sweetgums sport fall fashions and,
For a few brief frames,
The sunrise and I,
Bleary-eyed,
Collars turned against the season’s chill,
Walk the streets together.

The sky is a purple shell.
The air is still.
The trees are dark,
Their branches garbed in orange and rust.
They do not rustle.
They do not shake.

They sizzle.

Deep within them, hidden by dying leaves,
A thousand starlings wake.
They greet the sunrise with
Gricks and whistles,
Creaks and pips.
I stand smiling
Beneath a thousand chittering mouths,
Listening to
The sound of butter in a hot skillet.

Sizzle. Pop. Hiss. Flutter. Zing.

A few more days,
A few more frames,
And the sun lags behind me.
The sweetgums now are silent,
Branches laden with sleeping birds.
Later still,
Once the trees drop their leafy frocks,
The starlings leave the city to winter’s cold,
And once more I walk alone
Beneath dark and bony boughs.

k

Typewriter

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I walk the wavering limit of sand and sea, the Pacific’s grey serrated edge. The wind, flavored with salt and sun-dried kelp, pushes me, smudging my glasses with briny thumbs. A foam-white gull hunkers down against the wind. It glares at me with a yellow eye, wary but unwilling to move as long as I keep my distance. Plovers weave up and down the sand, dancing with their watery partner, piping and whistling. At my approach, they burst upward in a seething cloud of wings that veers drunkenly along the shore before settling down at a safer distance.

The waves hesitate, gathering their courage, then rush up the sloping shore. The first one covers my feet, the second my ankles, the third, calves. The water shocks with skin-tightening cold, but once the waves caress the sun-kissed sand, they recede with warmth and slip gently out to sea.

It is low tide, the time when the ocean rummages through dark cupboards, searching for trinkets and loose change to toss up on land when the next advance begins. Past offerings make ripples beneath the retreating waves or lie bright in the water-dark sand. Razor clams, splayed wide like nacre butterflies, are brittle and sharp splashes of dark purple or brilliant white. The pale skeletons of sand dollars lie strewn about, all broken, metaphors waiting to be used.

I walk through the dirty, heavy-handed rip current and the calmer, cleaner slack. I feel the tug of the water, sense the shifting sand beneath my feet. I taste both sea and earth on the ceaseless wind.

This is the edge, the limit of the world, the place where both land and ocean end.

Or begin.

k

Typewriter

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