Back when I had a writing career, I was given some advice. I was having lunch with my agent and the editor of the Science Fiction Book Club. (My first novel, The Year the Cloud Fell, had been a featured alternate at SFBC.) When the conversation swung around to my work, the editor said, “your books have too much history.” My agent nodded, sagely, as if this was the most obvious thing in the world.
I’m very good at not reacting immediately to bad news. It’s a defense mechanism, really. Treat me with rudeness or disrespect, tell me my dog died, or drop a pithy little bomb like “your books have too much history,” and I shut down. The smile stays up. The amenities and little etiquettes are still observed. Platitudes and small talk continue to be exchanged. “How nice.” “It was a pleasure meeting you.” “Until next time.”
Meanwhile, my inner child is weeping, my reptilian brain has fled for a safe, dark corner, and my intellect has gone all blue-screen on me.
“Too much history”? That’s like telling Mozart his music has “too many notes.”
A lot went right with the release of Beneath a Wounded Sky and the completion of The Fallen Cloud Saga. Overall, I’m very pleased with the product, inside and out. Don’t kid yourself, people do judge a book by its cover…and by its font, and even by the quality of its title page. A good product, a quality product, will sell better than something that looks like it was put together by a grade-schooler.