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Posts Tagged ‘writing techniques’

Stack of BooksClutch!Clutch!Clutch!

Nearly all my adult life, I’ve driven stick. I know how to shift gears.

My wife brought the first manual transmission into my life–a Mercury Capri, which we called “the Crappy.” It was It was a pop-eyed old beater with one headlight bigger than the other so it always looked like it was giving you the stink-eye. It had a fender fashioned of aluminum held on with sheet metal screws, the hood was held down with wing nuts, and the silver paint job had been destroyed by repeated malathion dousings during the med-fly outbreak. Her engine was a powerhouse, though, and despite the fact that it drank a quart of oil a week it leapt off the line like a panther. The engine also had the unfortunate tendency to shear off its mounting bolts and have a lie-down on the rack-and-pinion. We kept her smoking hulk running for an age, finally selling her for junk when we moved up to Seattle.

We also had a Triumph Spitfire (named Cricket), and I adored that car. I worked diligently to keep her in running trim, but eventually her ’70s era British workmanship got the better of me and we sold her to a younger, more able man. After Cricket, there was Jezebel, the Ford Pinto whose body was made of New York Lace held together by a dozen daily prayers. She lived up to her name and we traded her in for a Chevy Nova saloon car that we named “Nova,” which should tell you how emotionally invested we were in owning her. The fact that she also drove like Grandpa’s cabin cruiser didn’t make her any more attractive.

Soon, though, Nova began to falter, and she was replaced by Eva, a 1993 Geo Storm. After driving in Nova’s Automatic Transmission Desert, I was back in a stick-shift car, and loved it. We’ve had that car for 20 years, and she’s still great (though a new paint job wouldn’t hurt.)

So, like I said, I know how to shift gears. In cars, anyway.

Shifting gears in writing…I sometimes have trouble. (more…)

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Stephen King has spoken. Again.

This time, he speaks in an interview in The Atlantic (that reads more like an essay) about a topic not covered in his On Writing memoir: Opening lines.

I hope aspiring writers read all of what he said, instead of picking their favorite sound bite.

It’s not that the first line of a book isn’t important–it is–and King discusses what a good opening line can bring to the party. On the other hand, he admits he’s not always done well with them, and stresses (waaay at the end) that an opening line won’t make or break a novel. If the story sucks, a good opener won’t save it.

The discussion prompted me to go back and look at the opening lines from my novels. How well did I do? I wondered. Let’s see.

(more…)

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Stack of BooksThis week I came across two articles for writers that I thought I’d pass along.

The first article comes from my friends over at The Noble Dead website. Barb and J.C. Hendee are bestselling authors with nearly a score of books to their collective credit. J.C. is also their webmaster, and trust me, he knows his stuff. (more…)

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Stack of BooksFirst, a welcome to our new subscribers. At some point we popped up over the 200 member mark, which I find pretty cool. So, thanks, all, for your interest.

My free time this weekend was spent backtracking. I’d started my research of Seattle’s history at 1860, heading up the years toward 1874, but it became clear that for my purposes, 1874 Seattle was just too big a town. I want a setting that is rougher, more primitive, and a town that is smaller.

Picking 1874, the backstory for my main “Old Seattle” character included experience in the Civil War, possibly with injuries, certainly with trauma. I wanted a reason for him to immigrate to the West, but also a reason for him to recoil from society and live outside the town. (more…)

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Writing with Pen and PaperNo, not my Chapter One. Sorry if I got your hopes up, there. (Did I? I hope I did, actually.)

No, I mean Chapter Ones (or is it Chapters One, like attorneys general?), in general. What are the needs, what are the requirements of a novel’s Chapter One.

A lot of writers paraphrase Chekhov. In essence, If you hang a loaded gun on the wall in Act I, it must go off by the end of Act III.

A lot of writers (mostly newer writers) want the literary equivalent of a movie’s “establishing shot.” They want everything set up in Chapter One–characters, setting, conflict, subplots–everything.

For me, the best advice I’ve ever heard on how to build my Chapter One is this:

Shoot the sheriff on the first page.

(more…)

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If there’s one thing that irks me, it’s applying rules to creative endeavors.

I’m also not much for taking things out of context. Like this.

Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule. — Stephen King

A lot of writers treat King’s advice on writing like a bible and, like a lot of Bible carriers, they often take things over-literally and take quotes completely out of context.

This is an example of both.

(more…)

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Stack of Books…and why it matters.

I’m still researching Seattle history for my next book, The Wolf Tree, trudging through Thomas Prosch’s bone-dry but fact-filled Chronological History of Seattle from 1850 to 1897. I’m up to 1871, which is within spitting distance to my target of 1874.

Some people might say this is a bit over-the-top for what is essentially a secondary story line in a mainstream/non-genre novel, and I’ll admit, I do have a tendency to over-research.

But you know what? That’s just tough. Deal with it, peeps. I won’t apologize or change.

Here’s why. (more…)

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