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Posts Tagged ‘writing techniques’

Kurt R.A. Giambastiani

Here is the original version of “Cast in Stone,” a trunk story I wrote about 20 years ago (Good lord, has it been that long?) If you missed the history of this piece, go read the Preamble to this edit-fest.

And to remind you of the color codes for each error type:

  • Telling, not showing
  • Clunky phrasing/naming names
  • Exposition
  • Bad metaphors/similes/adjectives
  • Wiggle words
  • Echoes

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Kurt R.A. GiambastianiMy story, “Cast in Stone,” was written in the early ’90s, and is probably the third or fourth story I ever wrote. I wrote it for a themed anthology about “deaders,” brain-dead humans who were animated via software to become servants and workers. The anthology accepted the story, but the money fell through and it was never published.

I then submitted the story to OMNI, back when OMNI was (a) a real magazine and (b) still publishing fiction under the incomparable editorial hand of Ellen Datlow. One of Ms. Datlow’s assistant editors, Robert K.J. Killheffer, read the story, and liked it enough to take the extraordinary step of leading me through several rewrites. (I have to say, after boiler-plate/check-list rejection letters, it was a thrill to get a letter for a rewrite!) He provided me with guidance each time through, suggesting changes in everything from the title (original title: “Statuesque Revisions”…ick) to structure and style.

We went through about four iterations, if memory serves, with Rob sending me up two pages or so of typewritten comments, and me improving the story each time. In the end, the story was still rejected, but this all tells you how much work went into the version I present to you here.

And even with all that editing, all that mentorship, it still has so many problems that I wince to read parts of it.

So, what I will be presenting here is “Cast in Stone,” in its original, post-OMNI form. I have changed not a word, but I have highlighted the major errors and issues of the type I’ve talked about in this series of posts. I’ve given each a color code as follows:

  • Telling, not showing
  • Clunky phrasing/naming names
  • Exposition
  • Bad metaphors/similes/adjectives
  • Wiggle words
  • Echoes

Then, I’ll present a rewritten version where I’ll fix them and (possibly) some of the larger, structural problems the story has.

Ready?

 

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Stack of BooksA follow-up to my earlier post about reformatting print-ready files for e-book readers

In case these two points didn’t register in that post, here they are again:

  • Take Your Time…
  • Check Your Work…

I spent many hours over the past couple of days struggling with the files for FC Books II-V. I took my own advice (see above) and carefully and deliberately went through each reformation step, file by file. Then I uploaded the reformatted files and downloaded the KDP-converted files (in MOBI format) Then I previewed each MOBI file, using the Kindle Previewer, taking care to preview each file in each of the possible devices, from Kindle DX to iPad.

What I found was that while everything was fine on Kindle hardware, something was throwing off all the formatting when the MOBI file was ported to the iOS hardware. On iPads and iPhones, all my careful font styles were dropped and the whole shebang popped up in Courier New monospaced font. Ick.

Luckily, I had one file that was working on iOS (FC:I) so it was just a matter of comparing that file to the other files and trying to find the one thing that was causing the KDP conversion software to have a hissy-fit. I don’t know exactly what it was or exactly why, and I won’t bore you with details too tedious to be suffered. Suffice it to say that I was able to create files that work on all devices.

However, I still have not released FC:II-V into the e-book wild. I’m taking even more time, and will upload them all to my Kindle account, so I can see them on a Kindle, an iPad, and an iPhone for myself.

But it brings home my admonitions: Take Your Time and always Check Your Work.

That is all.

k

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As promised, I’ve begun to release the Fallen Cloud Saga in e-book format. And, just as I decided on CreateSpace to be my “publisher,” I’ve decided on the Kindle for my e-book format. The reasons are basically the same as before: ease of use, platform reach of the product, and essential friendliness of the agreement. Amazon’s Kindle Direct Publishing (KDP) website is easy and reliable.

But I just can’t take my print-ready files and use them to build an e-book. Well, okay, I can, but I shouldn’t. Print-ready files are just that: print-ready, not e-book ready. To work best, e-books need to be reformatted; not much, just a little more here, a little less there, but they need it and it’s important to the reading experience.

Fortunately for those of us who are heading into the world of self-publishing, Amazon has given us a primer.

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Stack of BooksThus far, I’ve covered the most offensive types of errors I’ve seen in fiction on the web, and now I’ll get down to things that are merely bad or that are just annoying. But just because an error doesn’t stand up and slap you in the face, it doesn’t mean an editor will let you get away with it. She shouldn’t and she won’t.

From here on, though, the problem with these errors is that–more so than the topics of previous posts–frequently they aren’t errors at all. Don’t you just hate that? As we move on, keep in mind that all of the word usages I list here–all of them–often have a legitimate place in prose. There will be times that you specifically want what they provide; the key is to understand the danger they pose, and use them knowingly.

And so, onward to “wiggle words.”

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Stack of BooksNow that I’ve finished my foray into Shakespearean biographies and Elizabethan conspiracy theories, it’s time to get back to work.

Writing work, that is.

This project will be my tenth novel, and it will be a big departure from my previous books. Frankly, it’s got me scared pissless. But, as any great artist will tell you, if it doesn’t scare you, it’s not worth doing. (more…)

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Stack of BooksPeople have told me that I’m too tough in my critiques. Privately, I’ve been told that these “The View from Here” posts are too harsh, too critical. “New writers will make mistakes,” I’m told. “That’s what editors are for.” Poppycock.

A number of years ago, I used to read slush for a magazine. It was unpaid intern-type-stuff, but it taught me a great deal (as all good unpaid intern-type-stuff should). It taught me about deadlines and time-management. It taught me a lot about publishing, as I was able to see a lot of it from behind the scenes. It taught me the truth of the adage: The only way to make a small fortune in publishing is to start with a large fortune.

But most of all, it taught me to think like an editor.

An editor is like an alcoholic in a 12-step program–Let’s skip right over the joke about how most of them actually are alcoholics in 12-step programs and move right to what I mean by that.–i.e., editors read MSS one page at a time. Screw up on Page One, they’ll never read Page Two. After all, why go farther? Why read any more if page one just sucks? They won’t. Screw up on Page One–hell, screw up in Paragraph One–and you’re done.

So yes, I’m tough. And now, onto the next item I see a lot in some of the fiction posted out there: Bad metaphors and stupid similes.

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