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Posts Tagged ‘creative writing’

Stack of BooksI was young, with a penchant for obsession. I studied musical performance and conducting, and ran with a cadre of like-minded scholars. I was a science-fiction/fantasy geek, and so were they. It was fated, then, that when the first Star Wars movie came out, we would band together for trips to The City. Week after week we would ride down Geary, invade The Coronet theater, outmaneuver all comers, and claim the eight seats at first-row-center. There, practically vibrating with anticipation, we would wait, hands poised, ready for the downbeat. Together, we would conduct the entire score (long ago committed to memory), cueing the chords of the Death Star leitmotif, pulling in horns and strings as we swept up to light-speed. It was grand. It was intoxicating.

Until Harrison Ford tried to get his mouth around the line, “Marching into the Detention Center is not my idea of fun.”

A lighthearted line, to be sure, but one that brought sniggers George Lucas did not expect. I mean, Harrison practically had to spit out his teeth to deliver that line. How did it ever make it through the table-read? What was that writer thinking?

Now, having cut my own writing chops, I know exactly what that writer was thinking.  He wasn’t.

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Stack of BooksI hear you already. “Not that old chestnut!” Sorry. Sad, but true: “Show, Don’t Tell” is one of the most common of errors I’ve seen in the past couple of weeks prowling the new-writer-blogosphere, and sometimes the errors are simply egregious.

First off, let me say that I believe it is damned near impossible to “show” everything in a story. I mean, come on; you have to take a short-cut through a description now and again. I also think it’s unnecessary to “show” everything. And, to round out the argument against, there really aren’t any “rules” in fiction…or at least there aren’t any rules you can’t break now and again. As always, know when you break a rule, and do it for a reason.

As promised, I’m going to pick examples of these errors from my own stories, posted here on this site. Some of these stories are my very first efforts, so finding errors in them usually isn’t hard, but “Show, Don’t Tell” is a mantra that was drilled into me early on in workshops and from editors, so I had to root about a bit to find these offenders. Every story has spots where I need to move things along and not gum up the momentum with a fully descriptive flashback. A memory here, a wondering thought there, these might be difficult to “show” thoroughly. So, even if you find this sort of thing in your own work, the errors may not be big enough to warrant a rewrite; fixing them might alter the flow of the tale.

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01Jan13

Your voice is dim

Your words break up

As if your call

Is from years past

And not across

Mere miles

k

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Kurt R.A. GiambastianiOne day my mother came home with a slogan from her workplace. “Lower Your Expectations,” it read. Not really the gung-ho mentality of today but hey, it was the ’70s. Anyway, my father saw it, found it somewhat ludicrous, and came back with the flip side: “Up Your Aspirations!” He even had it printed up on a t-shirt.

This probably tells you more about my father than it does my mother.

The point of this (and I have one) is that, as writers, we must manage both our expectations and our aspirations. This came home to because my wife has recently begun to ply her hand at writing, and tonight we had a discussion about what aspirations she might have, as a writer. Sensibly (I thought) she said that, at this point, she doesn’t have aspirations of writing for a living or even for profit. Right now she just wants to play with it and to learn how to be a better writer. I know I’ve harped on this before, but I believe it’s important; writing is a lonely business, and publishing is a cutthroat business. Writing for profit ain’t for the faint.

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Stack of BooksI’ve been trolling the blogs, the last few days, reading fiction from new/unpublished writers. I see the same thing, over and over, the same mistakes, repeated.

I don’t know why writers continue to make these mistakes. Read any article or book on modern writing and you’ll see these problems called out. Perhaps it’s that some new writers don’t read books about writing, don’t analyze their own work. I don’t know.

What I do know, is that there are some new writers who read this blog (we’re up to 80+ followers, now, with slow but steady growth), so I thought I’d go over these basic problem areas in a series of posts. I hope it starts a conversation with some of the apprentice writers out there. (more…)

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I’ve been reading about Gustave Flaubert and his writing method.  “What a bitch of a thing prose is!” he wrote to his friend and lover, Louise Colet. “It’s never finished; there’s always something to redo.” And redo he did.

Flaubert was a definite “basher,” taking up to a week to produce a single page. He once remarked that for the first 125 pages of Madame Bovary, he actually wrote 500 pages. But this constant revision was required to achieve the style for which he aimed.

“A good sentence in prose should be like a good line in poetry, unchangeable, as rhythmic, as sonorous.”

In reading an analysis of the style he adopted for Madame Bovary, I realized that I, too, have a style. (more…)

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Stack of BooksBy the time he was my age, Gustave Flaubert was decades past his peak with Madame Bovary. By the time Hemingway was 54, he was pretty much done. And by the time Shakespeare was as old as I am, he’d been dead a couple of years.

It’s hard to look at facts like these and not get a little depressed. I mean, sure, I didn’t even start writing until I was in my thirties, and didn’t really get into novels until my forties, but…damn! Adding fuel to the fire, a quick search for “writers who started late in life” does not generate a list of  late-blooming literary giants.

My mind quickly comes up with all sorts of justifications and explanations as to why so-and-so succeeded early in life and I have not—financial support from others, an early start in the craft, etc., etc.—but it’s all nonsense. As my father once wisely told me, there’s always going to be someone richer, smarter, or more talented than I am. Getting down on myself for not being a genius, for not getting that Nobel Prize for Literature, is silly. More than that, it’s counter-productive.

I don’t write to be famous. I don’t write for immortality. Crap, I don’t even write to make it into the “Who’s Who in American Literature.”

I write because I like it. Because I love it. And that’ll do.

k

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